Storytelling in jazz and musicality in theatre : through the mirror /
"Art forms tend to mirror themselves in each other. In order to understand literature and fine arts better, we often turn to music, speaking of the 'tone' in a book and of the 'rhythm' in a painting. In attempts to understand music better, we turn instead to the narrative ar...
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| Главный автор: | |
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| Формат: | |
| Язык: | английский |
| Опубликовано: |
New York :
Routledge,
2021.
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| Предметы: |
MARC
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|---|---|---|---|
| 005 | 20250109140632.0 | ||
| 008 | 201120s2021 nyu b 001 0 eng | ||
| 020 | |a 9780367775780 | ||
| 050 | 1 | 4 | |a ML3845 |b .B58 2021 |
| 100 | 1 | |a Bjerstedt, Sven. |9 21419 | |
| 245 | 1 | 0 | |a Storytelling in jazz and musicality in theatre : |b through the mirror / |c Sven Bjerstedt. |
| 260 | |a New York : |b Routledge, |c 2021. | ||
| 300 | |a 134 p. ; |c 24 cm. | ||
| 501 | |a K_B | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Part I. Intermedial Metaphor in the Arts. Metaphoricity in Arts Discourse -- Part II. Musical Storytelling. Storytelling in Jazz : A Conceptual Challenge ; A History of Jazz Writings ; Interviews with Jazz Improvisers ; Storytelling in Jazz Improvisation : Conclusions -- Part III. Theatrical Musicality. Musicality in Spoken Theatre : A Conceptual Challenge ; A History of Theatre Writings ; Interviews with Actors ; Musicality in Spoken Theatre : Conclusions -- Part IV. Through the Mirror. Intermedial Conceptual Loans. | |
| 520 | |a "Art forms tend to mirror themselves in each other. In order to understand literature and fine arts better, we often turn to music, speaking of the 'tone' in a book and of the 'rhythm' in a painting. In attempts to understand music better, we turn instead to the narrative arts, speaking of the 'story' of a musical piece. This book focuses on two examples of such conceptual mirror reflexivity: narrativity in jazz music and musicality in spoken theatre. These intermedial metaphors are shown to be significant to the practice and reflection of performing artists through their ability to mediate holistic views of what is considered to be of crucial importance in artistic practice, analysis, and education. This exploration opens up possibilities for new theoretical and practical insights with regard to how the borderland between temporal art forms can be conceptualized. The book will be of interest not only to scholars of music and theatre, but also to those who work in the fields of aesthetics, intermedial studies, cognitive linguistics, arts theory, communication theory, and cultural studies"-- |c Provided by publisher. | ||
| 650 | 0 | |a Jazz |x Philosophy and aesthetics. |9 21420 | |
| 650 | 0 | |a Narrative in music. |9 21421 | |
| 650 | 0 | |a Theater. | |
| 650 | 0 | |a Music and language. |9 21422 | |
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