Dramaturgy of sound in the avant-garde and postdramatic theatre /

Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until re...

Cur síos iomlán

Sábháilte in:

Sonraí bibleagrafaíochta
Príomhchruthaitheoir:	Ovadija, Mladen, 1947- (Údar)
Formáid:	LEABHAR
Foilsithe / Cruthaithe:	MontreÌal & Kingston : McGill-Queen's University Press, 2013.
Ábhair:	Avant-garde (Aesthetics) Experimental theater > History and criticism. Theaters > Sound effects.

Míreanna comhchosúla

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