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Impacting theatre audiences : methods for studying change /
Published 2022Table of Contents: “…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. …”
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Advancing practice in academic development /
Published 2016Table of Contents: “…Plank -- Managing and Leading Projects and Project Teams / Nancy Turner and Peter Hartley -- Leading an Academic Development Unit / Julie Hall and David A. …”
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Body and Force in Music : Metaphoric Constructions in Music Psychology.
Published 2023Table of Contents: “…Motion, Force, and "Rhythm Form"The "'co-working of motion' with one's own will" Piano theories Motion in piano playing Force and the will The will, physiology, and piano-playing Force and posture Action-perception coupling at the turn of the twentieth century "Rhythmic massing" Concluding remarks Chapter 4. …”
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Summertime : George Gershwin's life in music /
Published 2019Table of Contents: “…. : An American in Paris (1928) ; In midcareer (1929) ; A breakup and a redo (1929-30) ; Boyfriend, songwriter, musical citizen ; Girl Crazy (1930) ; Hollywood and the second Rhapsody (1930-31) ; Of the I sing (1931) ; More downs and ups and downs (1932) ; THe last musical comedy (1933) -- Composer in charge. A turn in the road (1933-34) ; Music by Gershwin and Porgy and Bess, act I (1935-36) ; Porgy and Bess, act II ; Porgy and Bess, act III ; Performing Porgy and Bess ; Judging Porgy and Bess ; Composer of Porgy and Bess ; Hollywood songwriter I : Shall we dance (1936-37) ; Hollywood songwriter II : A damsel in distress (1937) ; Gonna rise up singing.…”
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The Complete Works of William Shakespeare.
Published 1980Table of Contents: “…THE PASSIONATE PILGRIM -- THE PHOENIX AND THE TURTLE -- THE RAPE OF LUCRECE -- VENUS AND ADONIS…”
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