Результаты поиска - stand up -komiikka
Предлагаемые темы внутри своего поиска.
Предлагаемые темы внутри своего поиска.
- History 3
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- PERFORMING ARTS / Theater / General 2
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- Small business marketing 2
- Acting in musical theater 1
- American drama 1
- Analysis, appreciation 1
- Anthropological aspects 1
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- BUSINESS & ECONOMICS / Marketing / General 1
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This will be funny someday /
Опубликовано 2021Предметы: “...Stand-up comedy Juvenile fiction 19195...”
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Standing room only : marketing insights for engaging performing arts audiences /
Опубликовано 2014 -
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Memphis : a new musical : piano/vocal selections /
Опубликовано 2009Оглавление: “...Stand up --...”
Музыкальная задолженность -
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How AI thinks : how we built it, how it can help us, and how we can control it /
Опубликовано 2024 -
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Parade
Аудиозапись -
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Listening for America : inside the great American songbook from Gershwin to Sondheim /
Опубликовано 2019Оглавление: “.../ George Gershwin's "Summertime" -- Immigration and the American Voice / Irving Berlin's "Cheek to Cheek" -- How the Other Half Lived / Cole Porter's "Begin the Beguine" -- Love in New York / Richard Rodgers's "I Wish I Were in Love Again" -- The Impact of Recorded Sound / Jerome Kern's "All the Things You Are" -- America Goes to the Movies / Harold Arlen's "Over the Rainbow" -- World War II and the Integrated Musical / Richard Rodgers's "If I Loved You" -- America Gets a Classical Voice / Leonard Bernstein's "I Can Cook Too" -- Will the Real Annie Oakley Please Stand Up? / Irving Berlin's "I Got the Sun in the Morning" -- Fantasy in New York / Leonard Bernstein's "Tonight" -- Rock and Roll, Broadway, and the Me Decade / Stephen Sondheim's "Send in the Clowns" -- New Directions On and Off Broadway / Stephen Sondheim's "Finishing the Hat" -- Epilogue : The Broadway Musical Goes Global....”
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Performance autoethnography : critical pedagogy and the politics of culture /
Опубликовано 2018Оглавление: “...Act One: Scene Five [aside]: historical [auto] ethnodrama: Custer's Last StandIn conclusion; Notes; 5. Staging resistance as performance; Act One: Scene One: History: starting out negative?...”
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