Bilaketaren emaitzak - basist~

Integrative arts psychotherapy : using an integrative theoretical frame and the arts in psychotherapy /

Aurkibidea: “...Hide and Seek: using the arts and the body to assist discovery and self-awareness, Tsafi Lederman; 6. ...”
Taylor & Francis
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Event management for dummies / nork Capell, Laura

Aurkibidea: “...Ten things to have in your event kit during the build and show day : USB sticks ; A printer and paper ; General stationery ; Cable ties ; Lotions for the great outdoors ; Snacks ; A basic first aid kit ; Bin bags ; Safety pins ; Staple gun and staples -- 19. ...”

Designing motherhood / nork Fisher, Michelle Millar, Winick, Amber

Aurkibidea: “...Home pregnancy test ; Prenatal vitamins ; Lennart Nilsson ; Sonogram ; Amniocentesis ; Fetal Doppler and Pinard Horn ; Anti-radiation clothing ; Showing ; Pregnancy corset ; Tie-waist skirt ; Sari ; Deb Willis ; Grace Jones ; Patterns for pregnancy ; Pregnancy pillow ; Exercise for pregnancy ; National childbirth trust ; Algorithms for pregnancy ; Pregnancy portraits ; Midwifery in transition ; Midwives ; Masculine birth ; Loss ; Baby on board button ; Baby showers ; Gender reveal -- Birth. ...”

BodyStories A Guide to Experiential Anatomy. nork Olsen, Andrea

Aurkibidea: “...Cover -- BODYSTORIES -- Title -- Copyright -- Dedication -- CONTENTS -- Preface to New Edition -- The Text: Origins (Introduction) -- Stories: "Writing" -- "Colors" -- DAY 1 -- BASIC CONCEPTS -- Story: "Claiming your Height" -- To do: Drawing your skeleton -- DAY 2 -- ATTITUDES ABOUT THE BODY -- Story: "Running" -- To do: Constructive Rest -- Bodystory -- DAY 3 -- PROPRIOCEPTION AND SENSORY AWARENESS -- Story: "Choice" -- To do: Body scanning -- Body painting -- DAY 4 -- THE CELL -- Story: "Exchange" -- To do: Cellular breathing -- Breathing spot -- Cellular awareness -- DAY 5...”
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Manual for ear training and sight singing / nork Karpinski, Gary S. (Gary Steven)

Aurkibidea: “...Note continued: 25.The Dominant Triad; Skips to 5, 7, and 2 -- 26.The Modern C Clefs: Alto and Tenor Clefs -- 27.Skips to 4 and 6 as Prefix Neighbors -- 28.Pentatonicism -- 29.Sextuple Division of the Beat in Compound Meters -- 30.Repeat Signs -- 31.The Subdominant Triad; Skips to 4, 6, and 1 -- 32.Syncopation -- 33.The Dominant Seventh Chord in Melodic Contexts; Skips to 5, 7, 2, and 4 -- 34.Introduction to Harmonic Singing -- 35.Introduction to Harmonic Listening: Harmonic Rhythm and Cadences -- 36.Two-Part Music -- 37.Introduction to Bass-Line Dictation -- 38.Root Position and First Inversion Triads -- 39.Introduction to Voice Leading; Compound Melody -- 40.Triad Qualities -- 41.The Leading-Tone Triad; Skips to 7, 2, and 4 -- 42.The Supertonic Triad; Skips to 2, 4, and 6 -- 43.The Submediant Triad; Skips to 6, 1, and 3 -- 44.The Mediant Triad; Skips to 3, 5, and 7 -- 45.The Dominant Seventh Chord in Harmonic Contexts -- 46.Voice-Leading Techniques...”

The Routledge companion to applied performance.

Aurkibidea: “...Lea and Christopher Cook -- Chapter 13 We are here: Glyphing a re-creation story through waterways, bloodlines constellations / Jill Carter -- Chapter 14 Applied performance practices of therapeutic clowns: A curated conversation with Helen Donnelly / Julia Gray, Jenny Setchell, and Helen Donnelly -- Chapter 15 Playback Theater conductor as ritual guide: The artful and sensitive job of extracting personal stories / Hannah Fox -- Chapter 16 Theatre to address social justice issues with gatekeepers in Canada / Lauren Jerke and Warwick Dobson -- Chapter 17 Tensions of engagement: Oscillating between distance and implication / Yasmine Kandil -- Chapter 18 Questioning social justice: A dialogue on performance, activism and being in-between / Asif Majid and Elena Velasco -- Chapter 19 Timely homecomings / Carrie MacLeod -- Chapter 20 The arrivals legacy process: Reviving Ancestral stories of recovery and return / Diane Roberts -- Chapter 21 Applying Hamilton / Hana Worthen -- Part IV Latin America -- Introduction to Part IV: Applied performance in Latin America / Paloma Carpio and Rodrigo Benza -- Chapter 22 The body, women, and performance art in Latin America / Josefina Alcázar -- Chapter 23 Dance as a tool for the construction of peace and identity / Ana Carolina Ávila -- Chapter 24 We play as we mean to resist: Theatre games as political participation / Matthew Elliott -- Chapter 25 Communal living culture: From the many to the few, from the few to the many / Iván Nogales and Paloma Carpio -- Chapter 26 Latent conflict orlLatency in conflict: The liminal space between art actions and the Chilean civic-military dictatorship / Andrés Grumann Sölter and Francisco Gonzáles Castro -- Chapter 27 The community and its gaze: Argentine community theater / Edith Scher -- Chapter 28 Three community experiences and a resignation -- Rafael Murillo Selva -- Part V Southern Africa -- Introduction to Part V: Applied performance in Southern Africa / Alexandra Sutherland -- Chapter 29 Romio ndi Julieti (Romeo and Juliet): Chichewa language production of a serious drama / Amy Bonsall -- Chapter 30 Rituals (2010) as a counter narrative of healing and reconciliation in Zimbabwe / Kelvin Chikonzo and Ruth Makumbirofa -- Chapter 31 Dear Mr Government / Jessica Lejowa, Bongile Lecoge-Zulu and Cherae Halley -- Chapter 32 Applied performance as a space to address issues affecting girls and young women in Zimbabwe: A case study of Rachel 19 / Cletus Moyo and Nkululeko Sibanda -- Chapter 33 Applied arts in business contexts: Selling out to the oppressor or doing transformational work? ...”
EBSCOhost

The Oxford handbook of dance and theater /

Aurkibidea: “...Lei -- El Güegüence, post-Sandinista Nicaragua, and the resistant politics of dancing / E.J. Westlake -- From Soberao to stage : Afro-Puerto Rican Bomba and the speaking body / Jade Y. ...”
Access companion website

Voice : onstage and off / nork Barton, Robert, 1945-, Dal Vera, Rocco

Aurkibidea: “...Machine generated contents note: 1.1.A stranger inside -- 1.2.Voice baby -- starting fresh -- Exercise 1.2.1: My voice history -- Exercise 1.2.2: My vocal profile -- Exercise 1.2.3: Tracking the blocks -- Exercise 1.2.4: Keeping the good stuff -- 1.3.Vocal contradictions -- Exercise 1.3.1: Voices from hell -- Exercise 1.3.2: Voices from heaven -- 1.4.Basic equipment -- Exercise 1.4.1: Checking it out -- Exercise 1.4.2: Recording time -- Exercise 1.4.3: Audition update -- 1.5.Imitators -- a voice mirror -- Exercise 1.5.1: My subject in public -- Exercise 1.5.2: Subjects in a scene -- 1.6.The voice recipe -- nine ingredients -- 1.6.1.Tempo: your voice in time -- 1.6.2.Rhythm: your drum beats -- Exercise 1.6.2.1: My tempo/rhythm -- 1.6.3.Articulation -- shaping the sound -- 1.6.4.Pronunciation -- standard, regional, or eccentric? ...”

Digital painting and rendering for theatrical design : using digital tools to create scenic, costume, and media renderings / nork Gillette, Jen

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Across the universe : original keys for singers : vocal/piano. music from the motion picture.

The poetics of stage space : the theory and process of theatre scene design / nork Bergner, Bruce A., 1962-

Ibsen Plays : 1. nork Meyer, Michael

MyiLibrary
ProQuest Ebook Central
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Directing for the stage : a practical guide / nork Mitchell, Katie

Warrior queens & quiet revolutionaries : how women (also) built the world / nork Mosse, Kate, 1961-

Stage Business and the Neoliberal Theatre of London / nork Ferrone, Alex

Ibsen Plays : 1. nork Meyer, Michael

MyiLibrary
ProQuest Ebook Central
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Stanislavsky in the world : the system and its transformations across continents /

Abstract with links to full text

Electricity for the entertainment electrician & technician : a practical guide for power distribution in live event production / nork Cadena, Richard

A director prepares : seven essays on art and theatre / nork Bogart, Anne, 1951-

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Contents

Black book /