Search Results - Robert Wyatt~

Let It Go by Lopez, Robert

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Parade by Brown, Jason Robert

I Wan’na Be Like You by Sherman, Richard M.

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The complete classical music guide /

The plays from Alienation and freedom / by Fanon, Frantz, 1925-1961

Mary Poppins the supercalifragilistic musical : original live cast recording / by Sherman, Richard M., 1928-

Tootsie / by Yazbek, David, 1960-

Grand Hotel : the musical / by Wright, Robert, 1914-2005

The voice : a medical guide for achieving and maintaining a healthy voice / by Heman-Ackah, Yolanda D., Hawkshaw, Mary, Sataloff, Robert Thayer

Listening for America : inside the great American songbook from Gershwin to Sondheim / by Kapilow, Robert

Anything goes by Porter, Cole, 1891-1964

Impacting theatre audiences : methods for studying change /

Table of Contents: “…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. …”
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Impacting theatre audiences : methods for studying change /

Table of Contents: “…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. …”
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Taylor & Francis
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So you want to sing CCM (contemporary commercial music) : a guide for performers /

The Life of Bishoi : the Greek, Arabic, Syriac, and Ethiopic Lives /

The thing about men : a musical comedy affair / by Roberts, Jimmy

Journey's end. by Sherriff, R. C. (Robert Cedric), 1896-1975

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The Penguin dictionary of English grammar / by Trask, R. L. (Robert Lawrence), 1944-2004

Who Keeps the Score on the London Stages? by Stefanova, Kalina

Table of Contents: “…Alastair MacaulaySheridan Morley; David Nathan; Benedict Nightingale; John Peter; Ian Shuttleworth; Charles Spencer; Jack Tinker; Irving Wardle; Matt Wolf; 2. Hats Off To the Masters: Who Made Critics Want To Be Critics?…”
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Sapiens : a brief history of humankind / by Harari, Yuval N.