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The Routledge companion to arts management /

Nikolai Demidov : becoming an actor-creator / by Demidov, N. V. (Nikolaĭ Vasilʹevich), 1884-1953

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National Theatre Connections monologues : speeches for young actors /

Table of Contents: “…Note continued: Horizon by Matt Hartley, Sally -- Hospital Food by Eugene O'Hare, Josh -- I'm Spilling My Heart Out Here by Stacey Gregg, Sweep -- Illyria by Bryony Lavery, Maria -- In the Sweat by Naomi Wallace and Bruce McLeod, Nazreen -- It Snows by Bryony Lavery, and Scott Graham & Steven Hoggett for Frantic Assembly, Cameron -- Just by Ali Smith, Victoria -- A Letter To Lacey by Catherine Johnson, Kara -- Little Foot by Craig Higginson, Moby -- Lunch in Venice by Nick Dear, Ben -- The Minotaur by Jan Maloney, Ariadne -- The Miracle by Lin Coghlan, Zelda -- Mobile Phone Show by Jim Cartwright, BB -- The Monstrum by Kellie Smith, Beatrice -- Moonfleece by Philip Ridley, Curtis and Stacey -- More Light by Bryony Lavery, Pure Joy -- Mugged by Andrew Payne, Dig -- Multiplex by Christopher William Hill, Spike -- My Face by Nigel Williams, Mark -- Nuts by Fausto Paravidino, translated by Zachary Kinney, Snappy -- Pass It On by Doug Lucie, Giles.…”

Designing motherhood / by Fisher, Michelle Millar, Winick, Amber

The Routledge companion to musical theatre /

Table of Contents: “…Into the Theatre / Yilun (Della) Wu ; Journeys to the Past : The Uses of Memory and Nostalgia in Musical Theatre / Bryan M. Vandevender ; What's in a Name? The Multiplicities of the Musical / John Koegel ; Interrogating America's National Myth Onstage : Case Studies on the Individual and the Community in U.S. …”

It's a match : creating color palettes in design /

Table of Contents: “…Color scheme ; Nike Le Quartier ; Gamecores 8th anniversary ; HOLNAP / TOMORROW--poster book ; 15th KTR Competition (Polish Creativity Festival) ; Varvet ; Personal identity--business cards ; Prosail--Branding for sailing competition ; MAT--First Modern and Contemporary Art Auction ; Prólogo, café literario ; Land & sea ; Übergood Festival ; H&M LOVES MUSIC--Communication design ; De Young Museum identity (Fictional) ; TEDxNingbo City Live ; Co. …”

Impacting theatre audiences : methods for studying change /

Table of Contents: “…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. Cox, Graham W. Lea, & Christopher Cook Key Questions in Evaluating Audience Impact: A Mixed Methods Approach in Research-Based TheatreCHAPTER FIFTEEN by Scott Mealey(Ac)counting for Change: A Quantitative Approach to Recognizing and Contextualizing Shifts in Spectatorial ThinkingCHAPTER SIXTEEN by Monica PrendergastPoetic Inquiry and/as Theatre Audience ResearchCHAPTER SEVENTEEN by Matthew ReasonPlayful ResearchAPPENDIX by Matt Omasta & Dani Snyder-YoungMethodologies and MethodsList of contributorsIndexList of contributorsLisa Aikman is an Educational Developer at the University of Western Ontario. …”
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Impacting theatre audiences : methods for studying change /

Table of Contents: “…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. Cox, Graham W. Lea, & Christopher Cook Key Questions in Evaluating Audience Impact: A Mixed Methods Approach in Research-Based TheatreCHAPTER FIFTEEN by Scott Mealey(Ac)counting for Change: A Quantitative Approach to Recognizing and Contextualizing Shifts in Spectatorial ThinkingCHAPTER SIXTEEN by Monica PrendergastPoetic Inquiry and/as Theatre Audience ResearchCHAPTER SEVENTEEN by Matthew ReasonPlayful ResearchAPPENDIX by Matt Omasta & Dani Snyder-YoungMethodologies and MethodsList of contributorsIndexList of contributorsLisa Aikman is an Educational Developer at the University of Western Ontario. …”
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Voice : onstage and off / by Barton, Robert, 1945-, Dal Vera, Rocco

Table of Contents: “…Note continued: 5.3.3.A mediations -- Exercise 5.3.3.1: Practice the flat intermediate and round A -- 5.3.4.U liquidation -- Exercise 5.3.4.1: Practice dropping or adding the liquid U -- 5.3.5.Back-vowel separation -- Exercise 5.3.5.1: Contrasting back vowels -- Exercise 5.3.5.2: Practice adjusting [] in GA and [.r] in ES and RP -- 5.3.6.Twang elimination -- Exercise 5.3.6.1: Practice removing or adding the right kind of twang -- 5.3.7.Schwa elevation -- Exercise 5.3.7.1: Practice lowering or elevating the schwa -- 5.3.8.Completions -- Exercise.5.3.8.1: Practice lovely completions -- 5.3.9.T articulation -- Exercise 5.3.9.1: Practice T articulation -- 5.3.10.W/WH distinction -- Exercise 5.3.10.1: Practice [M,W] in contrast -- 5.3.11.Precision -- detail work -- Exercise 5.3.11.1: Elevating -- Exercise 5.3.11.2: Changing cultures -- Exercise 5.3.11.3: Finding ES -- Exercise 5.3.11.4: Transcribing for precision and accuracy…”