Search Results - "dramaturge"

Principles of dramaturgy / by Scanlan, Robert, 1948-

Subjects: “…Dramaturges.…”

Essential dramaturgy : the mindset and skillset / by Lang, Theresa

Table of Contents: “…-- Part 2. Skillset -- Dramaturg as practice -- The skillset in production -- Dramaturgy to enhance audience experience -- Dramaturging new plays and devising -- Notes from the field.…”

The art of active dramaturgy : transforming critical thought into dramatic action / by Brown, Lenora Inez

Subjects: “…Dramaturges.…”

Dance dramaturgy : modes of agency, awareness and engagement /

Subjects: “…Dramaturges.…”

Physical dramaturgy : perspectives from the field /

Subjects: “…Dramaturges.…”

Dramaturgy in motion : at work on dance and movement performance / by Profeta, Katherine

Subjects: “…Dramaturges.…”

Cutting plays for performance : a practical and accessible guide / by Malone, Toby, Huber, Aili

Subjects: “…Dramaturges.…”

How Greek tragedy works : a guide for directors, dramaturges, and playwrights / by Kulick, Brian

Taylor & Francis

Dramaturgy in the making : a user's guide for theatre practitioners / by Trencsényi, Katalin

Table of Contents: “…Dance poetics: the history of dramaturgical thinking in dance -- Dance dramaturgy: the development of the role -- Methods: dance dramaturgs at work -- Conclusion: two things about dramaturgy.…”

Text and performance in contemporary British theatre / by Love, Catherine

Table of Contents: “…The problem of the theatre text -- Dramaturgical innovations and evasions of authority: authorship and intention -- Contemporary approaches to classic texts: supplementation and iterability -- On the page: changing technologies of editing and publication…”
Online book

Active analysis / by Knebel�, M. (Marii͡a)

Online book
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Performance autoethnography : critical pedagogy and the politics of culture / by Denzin, Norman K.

Table of Contents: “…; Act One: Scene Four: The dramaturgical model; Act One: Scene Five: Into action: schools, slums; Act Two: Scene One: Forms of the Theatre of the Oppressed; Act Two: Scene Three: A new poetic, a new theatre; Act Two: Scene Four: The stages of the Theatre of the Oppressed; Act Three: Scene One: Whose performance poetic? …”

Impacting theatre audiences : methods for studying change /

Table of Contents: “…Recent solo performance work includes: They Don't Really Care About Us: PO-lice, PoPos, Sandra, and Me, a performance movement exploration of the relationship among police, policing, and Black women as told through a reimagining of the last day of Sandra Bland's life.Martine Kei Green-Rogers(she/her) is the Interim Dean of the Division of Liberal Arts at the University of North Carolina School of the Arts. She is a freelance dramaturg and the Immediate Past President of the Literary Managers and Dramaturgs of the Americas.Caroline Heim is Associate Professor of Theatre at Queensland University of Technology, Australia and author of Actors and Audiences: Conversations in the Electric Air (Routledge 2020) and Audience as Performer: The changing role of theatre audiences in the 21st Century (Routledge 2016).Kelsey Jacobsonis Assistant Professor in the Dan School of Drama and Music at Queen's University and a co-founding director of the Centre for Spectatorship and Audience Research.Graham W. …”
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Taylor & Francis
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Impacting theatre audiences : methods for studying change /

Table of Contents: “…Recent solo performance work includes: They Don't Really Care About Us: PO-lice, PoPos, Sandra, and Me, a performance movement exploration of the relationship among police, policing, and Black women as told through a reimagining of the last day of Sandra Bland's life.Martine Kei Green-Rogers(she/her) is the Interim Dean of the Division of Liberal Arts at the University of North Carolina School of the Arts. She is a freelance dramaturg and the Immediate Past President of the Literary Managers and Dramaturgs of the Americas.Caroline Heim is Associate Professor of Theatre at Queensland University of Technology, Australia and author of Actors and Audiences: Conversations in the Electric Air (Routledge 2020) and Audience as Performer: The changing role of theatre audiences in the 21st Century (Routledge 2016).Kelsey Jacobsonis Assistant Professor in the Dan School of Drama and Music at Queen's University and a co-founding director of the Centre for Spectatorship and Audience Research.Graham W. …”
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Taylor & Francis
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Actors and performers yearbook 2019 : essential contacts for stage, screen and radio /

Playwriting : a backstage guide / by Rebellato, Dan, 1968-

Directions for directing : theatre and method / by Sidiropoulou, Avra, 1972-

Theatre blogging : the emergence of a critical culture / by Vaughan, Megan

Inclusive character analysis : putting theory into practice for the 21st century theatre classroom / by Thomas, Jennifer (College teacher), Vrtis, Robert J.

Voice as art : from theatre to forensics / by Couzins, Richard