Rezultati pretrage - "1933"
Predložene teme unutar tvoje pretrage.
Predložene teme unutar tvoje pretrage.
- Criticism and interpretation 9
- Theater 8
- Acting 6
- History 5
- PERFORMING ARTS / Business Aspects 4
- Theatrical producers and directors 4
- Art dramatique 3
- Producteurs et metteurs en scène de théâtre 3
- acting 3
- Actors 2
- Arts 2
- Aspect religieux 2
- Experimental theater 2
- General 2
- Movement (Acting) 2
- PERFORMING ARTS 2
- Performing arts 2
- Physiological aspects 2
- Psychological aspects 2
- Religious aspects 2
- Study and teaching 2
- Technique 2
- Therapeutic use 2
- Vocational guidance 2
- ART / Business Aspects 1
- Acteurs 1
- Adult education 1
- Appareils et matériel 1
- Architects 1
- Architecture 1
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Summertime : George Gershwin's life in music /
Izdano 2019Sadržaj: “…. : An American in Paris (1928) ; In midcareer (1929) ; A breakup and a redo (1929-30) ; Boyfriend, songwriter, musical citizen ; Girl Crazy (1930) ; Hollywood and the second Rhapsody (1930-31) ; Of the I sing (1931) ; More downs and ups and downs (1932) ; THe last musical comedy (1933) -- Composer in charge. A turn in the road (1933-34) ; Music by Gershwin and Porgy and Bess, act I (1935-36) ; Porgy and Bess, act II ; Porgy and Bess, act III ; Performing Porgy and Bess ; Judging Porgy and Bess ; Composer of Porgy and Bess ; Hollywood songwriter I : Shall we dance (1936-37) ; Hollywood songwriter II : A damsel in distress (1937) ; Gonna rise up singing.…”
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Dance and the body in Western theatre : 1948 to the present /
Izdano 2015Sadržaj: “…Dancing the Wrong Side Out: Archetype in Martha Graham (1894-1991) and Jerzy Grotowski (1933-1999) -- 5. Resurrecting the Dancing Chorus in the 1960s: Peter Brook's Marat/Sade (1964), The Living Theatre's Antigone (1967) and Richard Schechner's Dionysus in 69 (1969) -- 6. …”
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FashionQuake : the most disruptive moments in fashion /
Izdano 2022OverDrive
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Confronting the national in the musical past /
Izdano 2020Sadržaj: “…Learning music in the social jungle : young performers' method books in the post-war USA and de-germanized Finland / Tomi M�akel�a ; Libert�e, egalit�e, and lutherie : fetishizing Stradivari in the context of French nationalism / Christina Linsenmeyer ; Cantor of the enduring human heart : Wagner in the Parisian press, 1933 / Rachel Orzech ; Territory is the key : a look at the birth of national music in Spain (1799-1803) / Teresa Cascudo.…”
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The photography storytelling workshop : [a five-step guide to creating unforgettable photographs] /
Izdano 2020EBSCOhost
OverDrive
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The art of drawing manga /
Izdano 2022O'Reilly Media
OverDrive
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MusicQuake : the most disruptive moments in music /
Izdano 2022OverDrive
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Brecht on theatre : the development of an aesthetic /
Izdano 2013Sadržaj: “…-- The epic theatre and its difficulties -- Last stage: Oedipus -- A dialogue about acting -- On form and subject-matter -- An example of paedigogics -- The modern theatre is the epic theatre -- The literarization of the theatre -- The film, the novel and epic theatre -- The radio as an apparatus of communication -- The question of criteria for judging acting -- Indirect impact of the epic theatre -- Part Two 1933-1946 / Interview with an exile -- Theatre for pleasure or theatre for instruction -- The German drama: pre-Hitler -- Criticism of the New York production of Die Mutter -- On the use of music in an epic theatre -- Alienation effects in Chinese acting -- Notes to Die Rundkopfe and Die spitzkopfe -- On gestic music -- The popular and the realistic -- On rhymeless verse with irregular rhythms -- The street scene -- On experimental theatre -- New technique of acting -- Two essays on unprofessional acting -- Notes on the folk play -- Alienation effects in the narrative pictures of the elder brueghel -- A little private tuition for my friend Max Gorelik -- Building up a part: Laughton's Galileo -- Dr Messingkauf: an editorial note -- Part Three 1947-1948 / A short organum for the theatre -- Part Four 1948-1956 / Masterful treatment of a model -- From the mother courage model -- Does use of the model restrict the artist's freedom? …”
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