Rezultati - Georg Solti~

Animal farm : a fairy story / od Orwell, George, 1903-1950

Political dramaturgies and theatre spectatorship : provocations for change / od Tomlin, Liz

Grounded / od Brant, George, 1969-

The Oxford handbook of dance and theater /

Kazalo: “...Magnetic fields : too dance for theater, too theater for dance / Nadine George-Graves -- Split intimacies : corporeality in contemporary theater and dance / Ann Cooper Albright ; Negotiating theatrics : dialogues of the working man / Anita Gonzalez -- How do I touch this text? ...”
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Vocal selections from Honk! : the award-winning musical / od Stiles, George

Backstage handbook : an illustrated almanac of technical information / od Carter, Paul Douglas, 1956-1990

How art works / od Bray, George, Gordon, Theodore, Hand, Alison, Hodge, Susie, 1960-, Kahn, Natasha, 1973-

Theatre studios : a political history of ensemble theatre-making / od Cornford, Tom (College teacher)

Theatre matters : performance and culture on the world stage /

Table of contents
Table of contents
Publisher description

Animal farm: a fairy story. od Orwell, George, 1903-1950

Mary Poppins the supercalifragilistic musical : original live cast recording / od Sherman, Richard M., 1928-

Theatre criticism : changing landscapes / od Radosavljević, Duška

Listening for America : inside the great American songbook from Gershwin to Sondheim / od Kapilow, Robert

Living the lighting life : a guide to a career in entertainment lighting / od Schiller, Brad

Taylor & Francis

The singer's musical theatre anthology. Volume 3, Tenor

Kazalo: “...Steppin' out with my baby / Irving Berlin -- Follies. Buddy's blues ; Make the most of your music / Stephen Sondheim -- Follow the fleet. ...”

Impacting theatre audiences : methods for studying change /

Kazalo: “...AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. ...”
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Taylor & Francis
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Impacting theatre audiences : methods for studying change /

Kazalo: “...AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. ...”
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The Singer's Musical Theatre Anthology: Mezzo-Soprano/Belter (Volume 3)

Kazalo: “...Angels, punks and raging queens -- Follies. I'm still here -- The full monty. Life with Harold -- Grand Hotel. ...”

Designing motherhood / od Fisher, Michelle Millar, Winick, Amber

The Routledge companion to applied performance.

Kazalo: “...-- Petro Janse van Vuuren -- Part VI Western Europe -- Introduction to Part VI: Care for the Open: intercultural challenges and transcultural potential of applied performances in Western Europe / Julius Heinicke -- Chapter 34 Realistic art and the creation of artistic truth / Rolf Bossart -- Chapter 35 Artistic creation and participation in Portugal and Brazil: The urgencies of today / Hugo Cruz -- Chapter 3: Core of Nordic applied theatre: Challenges in a subarctic area / Riike Gürgens Gjaerum -- Chapter 37 Youth transformation in search of freedom / Maria Kwiatek -- Chapter 38 Legami in spazi aperti (Bonds in Open Spaces) / Giulia Innocenti Malini -- Chapter 39 Exploring dramaturgy in participatory refugee theatre as a dialogical art practice: Dialogical tensions in a temporary relational playground / Sofie de Smet, Lucia De Haene, Cécile Rousseau, and Christel Stalpaert -- Chapter 40 The right artistic solution is just the beginning / Lene Thiesen....”
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