Rezultati - Florentzia~

The Divine Comedy of Dante Alighieri: the Florentine : Cantico 2. Purgatory / od Alighieri, Dante, <1265-1321>

Fashion and masculinity in Renaissance Florence / od Currie, Elizabeth (Fashion designer)

Kazalo: “...Machine generated contents note: -- Introduction Part 1 Fashioning the Medici Court -- Chapter 1 The Court on Show -- Chapter 2 The Rise and Fall of the Florentine Toga Part 2 The Courtier as Consumer -- Chapter 3 The Noble Art of Shopping -- Chapter 4 Ruinous Appearances Part 3 Modes of Masculinity -- Chapter 5 The Versatility of Black -- Chapter 6 Youth, Fashion, and Desire -- Chapter 7 Festive Dress Conclusion Bibliography -- Index....”

A companion to Lope de Vega /

Kazalo: “...Lope's life and work / Alexander Samson and Jonathan Thacker -- Lope's knowledge / Victor Dixon -- Lope de Vega and the theatre in Madrid / José María Ruano de la Haza -- From stage to page : editorial history and literary promotion in Lope de Vega's Partes de comedias / Alejandro García Reidy -- Imagining Lope's lyric poetry in the 'Soneto primero' of the Rimas / Tyler Fisher -- 'Quien en virtud emplea su ingenio ... ' : Lope de Vega's religious poetry / Arantza Mayo -- Outside in : the subject(s) at play in Las rimas humanas y divinas de Tomé de Burguillos / Isabel Torres -- The Arte nuevo de hacer comedias : Lope's dramatic statement / Jonathan Thacker -- Three canonical plays / Alexander Samson and Jonathan Thacker -- Lope de Vega, the chronicle-legend plays and collective memory / Geraldine Coates -- Sacred souls and sinners : abstinence and adaptation in Lope's religious drama / Elaine Canning -- Lope, the comedian / Jonathan Thacker -- Lope de Vega's speaking pictures : tantalizing Titians and forbidden Michelangelos in La quinta de Florencia / Frederick A. De Armas -- Performing sanctity : Lope's use of Teresian iconography in Santa Teresa de Jesús / Barbara Mujica -- Masculinities and honour in Los comendadores de Córdoba / Geraint Evans -- El castigo sin venganza and the ironies of rhetoric / Edward H. ...”