Resultados da busca - Folk müzik~
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BECOMING AN IRISH TRADITIONAL MUSICIAN : learning and embodying musical culture.
Publicado em 2022Assuntos: “…Folk music Ireland. 3964…”
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Li bint il Shalabiya = البنت الشلبية = The girl with almond eyes
Publicado em 2019Source
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Made in Yugoslavia : studies in popular music /
Publicado em 2020Sumário: “…Starogradska Muzika : An Ethnography of Musical Nostalgia / Marija Dumnić Vilotijević ; "My Juga, My Dearest Flower :" The Yugoslav Legacy of Newly Composed Folk Music Revisited / Iva Nenić ; Music in Macedonia : Yugoslavia's Balkan Heartland / Velika Stojkova Serafimovska / Fantasy, Female Sexuality and Yugoslavism in the Music of Lepa Brena / Zlatan Delić -- THE POLITICS OF POPULAR MUSIC UNDER SOCIALISM. …”
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Camelot. Vocal score
Publicado em 2011Sumário: “…Overture; March; I Wonder What The King Is Doing Tonight; The Simple Joys Of Maidenhood; Camelot; Guenevere's Welcome; End Of Scene - Reprise: Camelot; Follow Me; End Of Scene; C'est Moi; The Lusty Month Of May; Pellinore's Entrance; Take Me To The Fair; Change Of Scene; How To Handle A Woman; Tent Scene; The Tumblers; Entrance Of The Jousting Knights; The Jousts; Before I Gaze At You Again; Finale - Act 1; Entr'acte; Fie On Goodness; Guenevere's Entrance And If Ever I Would Leave You; The Seven Deadly Virtues **Trinity Guildhall selected piece: Singing syllabus 2010-2012; Change Of Scene; What Do The Simple Folk Do?; The Enchanted Forest; The Persuasion; The Invisible Wall; Change Of Scene; Change Of Scene And Incidental Music; If Ever I Would Leave You - Reprise; Menacing Scream; Guenevere; Lancelot's Fanfare; Farewell - Melos; Finale Ultimo; Curtain Calls And Exit Music…”
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The female voice in the twentieth century : material, symbolic and aesthetic dimensions /
Publicado em 2021Livro -
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Brecht on theatre : the development of an aesthetic /
Publicado em 2013Sumário: “…-- The epic theatre and its difficulties -- Last stage: Oedipus -- A dialogue about acting -- On form and subject-matter -- An example of paedigogics -- The modern theatre is the epic theatre -- The literarization of the theatre -- The film, the novel and epic theatre -- The radio as an apparatus of communication -- The question of criteria for judging acting -- Indirect impact of the epic theatre -- Part Two 1933-1946 / Interview with an exile -- Theatre for pleasure or theatre for instruction -- The German drama: pre-Hitler -- Criticism of the New York production of Die Mutter -- On the use of music in an epic theatre -- Alienation effects in Chinese acting -- Notes to Die Rundkopfe and Die spitzkopfe -- On gestic music -- The popular and the realistic -- On rhymeless verse with irregular rhythms -- The street scene -- On experimental theatre -- New technique of acting -- Two essays on unprofessional acting -- Notes on the folk play -- Alienation effects in the narrative pictures of the elder brueghel -- A little private tuition for my friend Max Gorelik -- Building up a part: Laughton's Galileo -- Dr Messingkauf: an editorial note -- Part Three 1947-1948 / A short organum for the theatre -- Part Four 1948-1956 / Masterful treatment of a model -- From the mother courage model -- Does use of the model restrict the artist's freedom? …”
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Credible likeable superstar role model /
Publicado em 2013EBSCOhost
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