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Nine /

Nine di Yeston, Maury

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Nine / di Yeston, Maury

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The singer's musical theatre anthology: Quartets

Sommario: “...Nine people's favorite thing -- West side story. ...”

The Singer's Musical Theatre Anthology: Mezzo-Soprano/Belter (Volume 3)

Sommario: “...I dreamed a dream ; On my own -- The mystery of Edwin Drood . The wages of sin -- Nine. My husband makes movies -- No strings. The sweetest sounds -- Oliver! ...”

The Singer's Musical Theatre Anthology Vol. 2: Baritone/Bass

Sommario: “...I've grown accustomed to her face -- Nine. Guido's song ; Only with you -- Oklahoma! The surrey with the fringe on top -- Oliver! ...”

42nd Street di Warren, Harry, 1893-1981

The Singer's Musical Theatre Anthology: Volume 2: Mezzo-Soprano/Belter

Sommario: “...Anyone Can Whistle: There Won't Be Trumpets / Stephen Sondheim -- [From] Guys and Dolls: I Get a Kick out of You / Cole Porter -- [From] Allegro: The Gentleman is a Dope / Oscar Hammerstein, II, Richard Rodgers -- [From] Babes in Arms: I Wish I Were In Love Again ; Johnny One Note / Lorenz Hart, Richard Rodgers -- [From] Ballroom: Fifty Percent / Alan and Marilyn Bergman, Billy Goldenberg -- [From] Bells Are Ringing: The Party's Over ; Long Before I Knew You / Betty Comden, Adolph Green, Jule Styne -- [From] Chess: Someone Else's Story / Benny Andersson, Tim Rice, Bjorn Ulvaeus -- [From] A Chorus Line: What I Did For Love / Edward Kleban, Marvin Hamlisch -- [From] Company: Another Hundred People / Stephen Sondheim -- [From] Funny Girl: The Music that Makes Me Dance / Bob Merrill, Jule Styne -- [From] Evita: I'd Be Surprisingly Good For You / Tim Rice, Andrew Lloyd Webber -- [From] Good News: I Want to be Bad / B.G. ...”

Credible likeable superstar role model / di Kimmings, Bryony, 1981-

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The talent code : greatness isn't born. It's grown. Here's how. / di Coyle, Daniel

The talent code : greatness isn't born. It's grown. Here's how. / di Coyle, Daniel

So you want to be a theatre designer? / di Pavelka, Michael

Sommario: “...Before the job ; On the job -- Part nine: Your workplace. In the studio or workroom: What building? ...”

12 years a slave /

Impacting theatre audiences : methods for studying change /

Sommario: “...AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. ...”
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Impacting theatre audiences : methods for studying change /

Sommario: “...AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. ...”
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Voice : onstage and off / di Barton, Robert, 1945-, Dal Vera, Rocco

Sommario: “...-- Exercise 1.6.4.1: My articulation/pronunciation -- 1.6.5.Pitch -- notes on your sheet music -- 1.6.6.Volume -- filling space...”