Risultati della ricerca - "1984."
Soggetti all'interno della tua ricerca.
Soggetti all'interno della tua ricerca.
- Musicals 6
- Theater 5
- Criticism and interpretation 4
- History 4
- Piano 4
- Vocal music 4
- Acting 3
- Drama 3
- Chords (Music) 2
- English drama 2
- Excerpts 2
- Guitar 2
- History and criticism 2
- Production and direction 2
- Vocal scores with piano 2
- المسرح 2
- المسرحية العربية 2
- تاريخ ونقد 2
- ART 1
- Acteurs 1
- Acting & Auditioning 1
- Actors 1
- Adventure and adventurers 1
- Affectivité 1
- African Americans in literature 1
- Amour 1
- Arabic poetry 1
- Art and society 1
- Art dramatique 1
- Art social 1
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أيام الشارقة المسرحية (1984 - 2019) /
أيام الشارقة المسرحية (1984 - 2019) /Libro -
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Four plays : the local authority, Grand magic, Filumena Marturano, Napoli Milionaria /
Pubblicazione 1998Soggetti: “...De Filippo, Eduardo, 1900-1984 19165...”
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Art as social practice : technologies for change /
Pubblicazione 2022Soggetti: “...Social practice (Art) 1984...”
Taylor & Francis
Testo
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Art demonstration : group material and the 1980s /
Pubblicazione 2022Sommario: “...America, Americana (1985), and the exhibition interior -- "To change time" : historical intervention in the timeline exhibitions of 1984 and 1989 -- Counterpublics in transit : "dangerous" painting in subculture, 1983 -- Democratic looking....”
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Eroding the language of freedom : identity predicament in selected works of Harold Pinter /
Pubblicazione 2020Sommario: “...Introduction: the question of identity in Harold Pinter's drama -- Strong arm her: gendered identity in Harold Pinter's A kind of Alaska -- The indelible memory: memorial identity in Harold Pinter's Ashes to ashes -- Eroded rhetoric: linguistic identity in Harold Pinter's One for the road (1984) and mountain language -- Chic dictatorship: power and political identity in Harold Pinter's Party time -- The ethic and aesthetic of existence: sexual identity in Harold Pinter's Betrayal -- Crumbling families: familial and marital identity in Harold Pinter's Celebration -- Conclusion....”
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