Torthaí cuardaigh - Restoration (play)

Restoration Comedy : Full Text and Introduction (NHB Drama Classics). de réir Behn, Aphra

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Delicious dissembling : a compleat guide to performing restoration comedy / de réir Ramczyk, Suzanne M.

Clár na nÁbhar: “…Plays and Playwrights --…”

Edward Bond: Plays Three de réir Bond, Edward

Clár na nÁbhar: “…The activists papers. Restoration. Summer -- 5. Human cannon. The bundle. …”

Edward Bond: Plays Four de réir Bond, Edward

Clár na nÁbhar: “…The activists papers. Restoration. Summer -- 5. Human cannon. The bundle. …”

Edward Bond: Plays Five de réir Bond, Edward

Clár na nÁbhar: “…The activists papers. Restoration. Summer -- 5. Human cannon. The bundle. …”

Oh what a lovely war /

The performance studies reader /

Clár na nÁbhar: “…Play.…”

Drama games for rehearsals / de réir Swale, Jessica

Clár na nÁbhar: “…Greek tragedy ; Shakespeare and his contemporaries ; Restoration and Georgian comedy ; Physical theatre and commedia dell'arte ; Early modern comedy ; Modern drama and naturalism ; New plays -- Part Four: SOUND AND MUSIC (in which we create the sound and sense of the world) -- Part Five: 'BEGINNERS' (in which we wait in the wings).…”

The time-traveller's guide to British theatre : the first four hundred years / de réir Sierz, Aleks, Ghilardi, Lia

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Rodgers & Hammerstein's South Pacific de réir Rodgers, Richard, 1902-1979, Logan, Joshua

Impacting theatre audiences : methods for studying change /

Clár na nÁbhar: “…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. …”
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Impacting theatre audiences : methods for studying change /

Clár na nÁbhar: “…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. …”
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Taylor & Francis
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