Torthaí cuardaigh - "Philadelphia"
Topaicí molta laistigh de do chuardach.
Topaicí molta laistigh de do chuardach.
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إرث الاغتراب : حكايات من ساوث فيلي /
“…South Philadelphia (Philadelphia, Pa.) Fiction. 1584…”
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Transforming tales : how stories can change people /
Foilsithe / Cruthaithe 2009Table of contents only
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Beating burnout at work : why teams hold the secret to well-being and resilience /
Foilsithe / Cruthaithe 2021LEABHAR -
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How to write a business plan /
Foilsithe / Cruthaithe 2010Contributor biographical information
Publisher description
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Understanding voice problems : a physiological perspective for diagnosis and treatment /
Foilsithe / Cruthaithe 2006Table of contents
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So you want to sing CCM (contemporary commercial music) : a guide for performers /
Foilsithe / Cruthaithe 2018Clár na nÁbhar: “…Part I -- Contemporary Commercial Music: An Introduction Chapter 1: CCM Pedagogy: The Pioneering Generation, Matthew Hoch Chapter 2: CCM versus Music Theater: A Comparison, Matthew Edwards Chapter 3: Singing and Voice Science, Scott McCoy Chapter 4: Vocal Health and the CCM Singer, Wendy LeBorgne Chapter 5: Using Audio Enhancement Technology, Matthew Edwards Part II -- Profiles of Twelve CCM Pedagogues Chapter 6: Katie Agresta, New York, New York Chapter 7: Irene Bartlett, Brisbane, Australia Chapter 8: Robert Edwin, Philadelphia, Pennsylvania Chapter 9: Elisabeth Howard, Chicago, Illinois Chapter 10: Joan Lader, New York, New York Chapter 11: Jeannette LoVetri, New York, New York Chapter 12: Mark Meylan, London, United Kingdom Chapter 13: Lisa Popeil, Los Angeles, California Chapter 14: David Sabella, New York, New York Chapter 15: Cathrine Sadolin, Copenhagen, Denmark Chapter 16: Mary Saunders Barton, State College, Pennsylvania Chapter 17: Daniel Zangger Borch, Stockholm, Sweden Part III -- Contemporary Commercial Music: Past, Present, and Future Chapter 18: Effortless Singing: SLST and Its Influence, Darren Wicks Chapter 19: Why It's Time to Add CCM to Your Studio, Matthew Edwards Chapter 20: The Future of CCM Pedagogy, Matthew Hoch…”
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