Bilaketaren emaitzak - affective memory

The body keeps the score : brain, mind, and body in the healing of trauma / nork Van der Kolk, Bessel A., 1943-

Theory for theatre studies : sound / nork Bennett, Susan, 1955-

Aurkibidea: “...Theatres in ancient Greece and Aristotle's poetics -- The vocal map of ancient Greek drama -- Case study : Aristophanes's The frogs -- Vitruvius on acoustics : de architectura -- Shakespeare's Globe and Francis Bacon's Sylva sylvarum -- Acoustic world-making on the early modern stage -- Case study : Shakespeare's The tempest -- A sonic imagination of early modern London -- New technologies for sound performance -- Case study : Luigi Russolo's Intonamuri and "the art of noise" -- Hanging on the telephone : Sigmund Freud and Roland Barthes -- Case study : Jean Cocteau's The human voice -- The sounds of silence : John Cage's Future of music -- Acousmatics and radiophonics : Pierre Schaffer and the BBC -- Aura and archive : making sound memories -- Case study : Samuel Beckett's Krapp's last tape -- Prosthetic performance and deterritorialised listening -- Case study : Janet Cardiff's Sound walks -- Listening to women : Andrea Hornick and Luce Irigaray -- Affective theatres of embodied sound -- Case study : Shannon Yee's "Reassembled slightly askew" -- Case study : Rimini Protokoll's Situation rooms -- Coda : sound across the world....”

Theory for theatre studies : sound / nork Bennett, Susan, 1955-

Aurkibidea: “...Theatres in ancient Greece and Aristotle's poetics -- The vocal map of ancient Greek drama -- Case study : Aristophanes's The frogs -- Vitruvius on acoustics : de architectura -- Shakespeare's Globe and Francis Bacon's Sylva sylvarum -- Acoustic world-making on the early modern stage -- Case study : Shakespeare's The tempest -- A sonic imagination of early modern London -- New technologies for sound performance -- Case study : Luigi Russolo's Intonamuri and "the art of noise" -- Hanging on the telephone : Sigmund Freud and Roland Barthes -- Case study : Jean Cocteau's The human voice -- The sounds of silence : John Cage's Future of music -- Acousmatics and radiophonics : Pierre Schaffer and the BBC -- Aura and archive : making sound memories -- Case study : Samuel Beckett's Krapp's last tape -- Prosthetic performance and deterritorialised listening -- Case study : Janet Cardiff's Sound walks -- Listening to women : Andrea Hornick and Luce Irigaray -- Affective theatres of embodied sound -- Case study : Shannon Yee's "Reassembled slightly askew" -- Case study : Rimini Protokoll's Situation rooms -- Coda : sound across the world....”

Trauma and resilience in music education : haunted melodies /

Routledge companion to audiences and the performing arts /

Aurkibidea: “.../ Katya Johanson and Hilary Glow -- Affect / Lucy Thornett -- Agency / Astrid Breel -- Co-creation / Michael Pinchbeck and Rachel Baynton -- Covid-19 / Tully Barnett -- Data / Rishi Coupland -- Dialogue / Maddy Costa -- Integrated and inclusive / Vipavinee Artpradid -- Labour / Martin Young -- Language / Michelle Loh -- Laughter / Natalie Diddams -- Marginalia / Helen Yung -- Memory / Elaine Faull -- One-to-one / Rachel Gomme -- Pantomime / Robert Marsden -- Post-humanity / Fayen D'Evie -- Post-show / Diane Ragsdale -- Rehearsal / Anja Ali Haapala -- Relaxed / Lauren Hall and Paul Wilshaw -- Risk / Ella de Br︢ca -- Sickness / Vern̤ica Rodrg̕uez -- Thresholds / Stefania Donini -- Touch / Elena S.V. ...”

The Routledge companion to applied performance.

Aurkibidea: “...Introduction to Volume One / Tim Prentki and Ananda Breed -- Part I Australia and New Zealand -- Introduction to Part I: Considering the ethics of representation in applied theatre / Helen Cahill and Peter O'Connor -- Chapter 1 Identifying and understanding the notion of quality within an applied theatre project designed to playfully engage people living with dementia / Julie Dunn and Michael Balfour -- Chapter 2 Repairing the evil: Staging Puppet Antigone (2017) at Auckland Prison / Rand Hazou -- Chapter 3 Taurima Vibes: Economies of manaakitanga and care in Aotearoa New Zealand / Molly Mullen and Börni Te Rongopai Tukiwaho -- Chapter 4 Small acts at the margins: Making theatre work at cross-cultural intersections / Linden Wilkinson -- Chapter 5 The art of listening in prison: Creating audio drama with incarcerated women / Sarah Woodland -- Part II The Balkans -- Introduction to Part II and III: Memory, identity, and the (ab)use of representation / Kirsten Sadeghi-Yekta and Darko Lukić -- Chapter 6 Performing otherness: the representation of invisible communities in post-conflict and post-communist societies: Croatian example / Darko Lukić -- Chapter 7 The bridge to hope: Applied theatre in post-war Bosnia and Herzegovina / Sead Đulić -- Chapter 8 Theatre against violence, action in classrooms / Ines Å kuflić Horvat, Maja Sviben, and Nina Horvat -- Chapter 9 Interview with Vladimir KruÅ¡ić: Theatre and drama in education / Darko Lukić -- Chapter 10 In search of polyphonic concepts of participatory theatre and art for social change: Almost half a century of engagement / Ljubica Beljanski-Ristić -- Chapter 11 Giving voice to the voiceless: Raising awareness and spurring debate on the Homeland War (1991-1995) in Croatian theatre / Nikolina Židek -- Part III North America -- Chapter 12 Examining the ethics of research-based theatre through Contact! ...”
EBSCOhost

Why we sleep : unlocking the power of sleep and dreams / nork Walker, Matthew P.

BodyStories A Guide to Experiential Anatomy. nork Olsen, Andrea

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