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L.A. confidential / by Ellroy, James, 1948-

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Media design and technology for live entertainment : essential tools for video presentation / by Gaddy, Davin E.

Table of Contents: “…Purpose -- A brief history -- Ancient technology -- Early devices -- Modern revolution -- Physiology and psychology -- Physics of light -- Perception of light -- Design elements -- Design team -- Design process -- Budget based -- Concept based -- Collaboration -- Functions of media design -- Informative -- Environmental -- Emotive -- Special effect -- Textural -- Live effects and interactivity -- Source material -- Stock content -- Copyright -- Royalty/royalty free -- Public domain -- Fair use -- File sharing websites -- Custom content -- Non linear editor -- Composition -- File size/compression -- Codecs -- Alpha channel/matte -- Storage and transport -- Streaming video -- Resolution -- Pixel density/raster -- Perceived resolution -- Aspect ratio -- Interlaced or progressive scan -- Frame rate -- Refresh rate -- Display surface -- Screen properties -- Gain -- Contrast ratio -- Viewing angle -- Texture -- Rear or front projection -- Non-traditional materials -- Video and LED walls -- Monitor -- Rear projection -- Rear projection cube -- Laser phosphor display -- Panel -- Transparent display -- Electro-wetting and electrophoretic technology -- Projectors -- Historical devices -- Cathode ray tube -- Projector anatomy -- DLP -- Single chip -- 3-chip -- LCOS -- Illumination technology -- Metal halide -- Xenon -- Solid state -- Lens -- Fixed -- Zoom -- Source -- Analog source -- Digital source -- Tape based and optical disk systems -- Hard disk and solid state systems -- Camera -- Streaming media -- Computer based systems -- Slide -- Cue -- Timeline -- VJ sampling -- Object oriented programing environment -- Media server -- Distribution -- Analog sunset -- Digital rights management -- Extended display information data -- Video signal interfaces -- Cable -- Copper -- Adaptive copper -- Fiber -- Passive / active adapters -- VOIP -- HDBASE-T/ Audio video bridging -- Passive splitter -- Distribution amplifier -- Wireless -- Scaling -- Scan converting -- Resolution multiplier -- Control -- Switchers -- Passive -- Glitch free -- Seamless -- Mixers -- Matrix routers -- Computers -- Control communication -- Timecode -- OSC -- Encoders -- Serial communication -- Virtual network computing -- Artnet/ethernet -- CITP protocol -- Media server extensions layer -- Syphon/spout -- Network -- Internet protocol -- Switches and routers -- Wireless bridging -- System management -- Data transfer and file sharing -- Information preservation -- Presentation -- Optical alignment -- Keystone correction -- Pixel adjustment -- Gamma -- Color correction -- Brightness -- Lumens and nits -- Stacking -- Contrast ratio -- Video black -- Ambient light -- Trouble shooting -- Grounding and shielding -- Skew -- Signal strength -- Sync -- Genlock -- Edid/handshake -- Digital artifacts -- Dropped frames -- Latency -- Content playback errors -- Display errors -- Control errors -- Network errors -- Preventive maintenance -- Advanced projection design -- Video mapping and masking -- Masking irregular shaped objects -- Mapping 3D objects -- Blending -- Moving fixtures -- 3D projection -- Passive optics -- Active shutters -- Interactive projection -- Image tracking -- Blob detection -- Sensors -- Encoders -- Particle generation and cellular automatons -- Holography -- Pepper's ghost -- Light field display -- Atmospheric projection -- Large scale imaging -- Augmented reality.…”
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Manual for ear training and sight singing / by Karpinski, Gary S. (Gary Steven)

Table of Contents: “…Note continued: 25.The Dominant Triad; Skips to 5, 7, and 2 -- 26.The Modern C Clefs: Alto and Tenor Clefs -- 27.Skips to 4 and 6 as Prefix Neighbors -- 28.Pentatonicism -- 29.Sextuple Division of the Beat in Compound Meters -- 30.Repeat Signs -- 31.The Subdominant Triad; Skips to 4, 6, and 1 -- 32.Syncopation -- 33.The Dominant Seventh Chord in Melodic Contexts; Skips to 5, 7, 2, and 4 -- 34.Introduction to Harmonic Singing -- 35.Introduction to Harmonic Listening: Harmonic Rhythm and Cadences -- 36.Two-Part Music -- 37.Introduction to Bass-Line Dictation -- 38.Root Position and First Inversion Triads -- 39.Introduction to Voice Leading; Compound Melody -- 40.Triad Qualities -- 41.The Leading-Tone Triad; Skips to 7, 2, and 4 -- 42.The Supertonic Triad; Skips to 2, 4, and 6 -- 43.The Submediant Triad; Skips to 6, 1, and 3 -- 44.The Mediant Triad; Skips to 3, 5, and 7 -- 45.The Dominant Seventh Chord in Harmonic Contexts -- 46.Voice-Leading Techniques…”