Canlyniadau Chwilio - realismo~

Utopia for realists / gan Bregman, Rutger, 1988-

KATIE MITCHELL : realism, feminism and artifice. gan FOWLER, BENJAMIN

Style for actors : a handbook for moving beyond realism / gan Barton, Robert, 1945-

The Schaubühne Berlin under Thomas Ostermeier : reinventing realism /

Tabl Cynhwysion: “...Socialist Realism, Capitalist Realism, Ostermeier Realism /...”

The code of the extraordinary mind : ten unconventional laws to redefine your life & succeed on your own terms / gan Lakhiani, Vishen

Pynciau: “...Réalisation de soi. 6697...”

Documentary storytelling : creative nonfiction on screen / gan Bernard, Sheila Curran

Pynciau: “...Documentaires Production et réalisation. 2045...”

Storytelling for film and television : from first word to last frame / gan Dancyger, Ken

Pynciau: “...Cinéma Production et réalisation. 1899...”

The mountain is you : transforming self-sabotage into self-mastery / gan Wiest, Brianna

Pynciau: “...Réalisation de soi. 6697...”

The mountain is you : transforming self-sabotage into self-mastery / gan Wiest, Brianna

Pynciau: “...Réalisation de soi. 6697...”

Style : an approach to appreciating theatre / gan Wallace, E. Bert

Tabl Cynhwysion: “...-- What is style? -- Style : realism -- Realistic play : Trifles by Susan Glaspell -- Style : theatricalism -- Theatricalistic play : The insect play by the Brothers Capek, adapted by E. ...”

Style : an approach to appreciating theatre / gan Wallace, E. Bert

Tabl Cynhwysion: “...-- What is style? -- Style : realism -- Realistic play : Trifles by Susan Glaspell -- Style : theatricalism -- Theatricalistic play : The insect play by the Brothers Capek, adapted by E. ...”

Katie Mitchell : beautiful illogical acts / gan Fowler, Benjamin, 1985-

Anthony Neilson: Plays Two plays 2 / gan Neilson, Anthony

Tabl Cynhwysion: “...-- The lying kind -- The wonderful world of Dissocia -- Realism....”

Stanislavski : an introduction / gan Benedetti, Jean

Latin American art since 1900 / gan Lucie-Smith, Edward

Tabl Cynhwysion: “...Forerunners and independents -- The first modern movements -- Mexican muralism -- Muralism beyond Mexico -- The exiles -- Mexico : four women and one man -- A climate of change -- Geometric abstraction -- Informal abstraction -- Expressionist tendencies -- Realism, pop art and surrealism -- Moving towards the present -- Latin American art now....”

Latin American art since 1900 / gan Lucie-Smith, Edward

Tabl Cynhwysion: “...Forerunners and independents -- The first modern movements -- Mexican muralism -- Muralism beyond Mexico -- The exiles -- Mexico : four women and one man -- A climate of change -- Geometric abstraction -- Informal abstraction -- Expressionist tendencies -- Realism, pop art and surrealism -- Moving towards the present -- Latin American art now....”

Icons of style : a century of fashion photography /

Tabl Cynhwysion: “...Foreword / Timothy Potts -- Introduction / Paul Martineau -- Fashion, photography, culture : a chronology -- From contrivance to "naturalism," 1911-29 / Anne McCauley -- Style in the face of crisis, 1930-46 / Paul Martineau -- Letting the skirts down, 1947-69 / Susanna Brown -- From rebellion to seduction, 1970-89 / Michal Raz-Russo -- Ye fakers : realism and fantasy, 1990-2011 / Ivan Shaw....”

The mask handbook : a practical guide / gan Wilsher, Toby

The blue room : freely adapted from Arthur Schnitzler's La Ronde / gan Hare, David (1947-....)

Making the scene : a history of stage design and technology in Europe and the United States / gan Brockett, Oscar G. (Oscar Gross), 1923-2010

Tabl Cynhwysion: “...Preface -- Scenic design in ancient Greek and Roman theatres -- Medieval scenic design -- The Italian Renaissance -- Design in France and the Holy Roman Empire from 1640 to the early eighteenth century -- The influence of Scena per Angolo on eighteenth-century design -- Neoclassicism and romanticism: a rivalry of opposites -- Realism and naturalism -- Modernism -- American new stagecraft, Russian constructivism, epic theatre, and the Bauhaus -- Post/World War II and the late twentieth century -- Epilogue: looking toward the twenty-first century....”
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