Canlyniadau Chwilio - Restoration (play)

Restoration Comedy : Full Text and Introduction (NHB Drama Classics). gan Behn, Aphra

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Delicious dissembling : a compleat guide to performing restoration comedy / gan Ramczyk, Suzanne M.

Tabl Cynhwysion: “...Plays and Playwrights --...”

Edward Bond: Plays Three gan Bond, Edward

Tabl Cynhwysion: “...The activists papers. Restoration. Summer -- 5. Human cannon. The bundle. ...”

Edward Bond: Plays Four gan Bond, Edward

Tabl Cynhwysion: “...The activists papers. Restoration. Summer -- 5. Human cannon. The bundle. ...”

Edward Bond: Plays Five gan Bond, Edward

Tabl Cynhwysion: “...The activists papers. Restoration. Summer -- 5. Human cannon. The bundle. ...”

Oh what a lovely war /

The performance studies reader /

Tabl Cynhwysion: “...Play....”

Drama games for rehearsals / gan Swale, Jessica

Tabl Cynhwysion: “...Greek tragedy ; Shakespeare and his contemporaries ; Restoration and Georgian comedy ; Physical theatre and commedia dell'arte ; Early modern comedy ; Modern drama and naturalism ; New plays -- Part Four: SOUND AND MUSIC (in which we create the sound and sense of the world) -- Part Five: 'BEGINNERS' (in which we wait in the wings)....”

The time-traveller's guide to British theatre : the first four hundred years / gan Sierz, Aleks, Ghilardi, Lia

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Rodgers & Hammerstein's South Pacific gan Rodgers, Richard, 1902-1979, Logan, Joshua

Impacting theatre audiences : methods for studying change /

Tabl Cynhwysion: “...AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. ...”
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Impacting theatre audiences : methods for studying change /

Tabl Cynhwysion: “...AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. ...”
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Taylor & Francis
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