Canlyniadau Chwilio - "The Spectator"

The dramaturgy of the spectator : Italian theatre and the public sphere, 1600-1800 / gan Korneeva, Tatiana

Pynciau: “...Spectators Italy History 17th century. 18675...”

Health and safety management in the live music and events industry / gan Hannam, Chris

Pynciau: “...Spectator control Great Britain. 17414...”

The performance studies reader /

Tabl Cynhwysion: “...Excerpt from The emancipated spectator /...”

Political dramaturgies and theatre spectatorship : provocations for change / gan Tomlin, Liz

Tabl Cynhwysion: “...Real and imagined spectators -- The autonomous spectator -- Precarious spectators -- Political logics and contemporary dramaturgies -- Questions of irony and interpellation -- Questions of autonomy and affect -- Questions of empathy and agonism -- Questions of antagonism and agency....”

Theatre & mind / gan McConachie, Bruce A.

Tabl Cynhwysion: “...Introduction -- Playing -- Acting -- Spectating....”

Theatrical makeup / gan Broe, Bert

Theatre & the visual / gan Johnson, Dominic, 1980-

Theatre & violence / gan Nevitt, Lucy

Tabl Cynhwysion: “...Two examples of spectating violence -- Thinking about theatre and violence -- Spectatorship -- Cause and effect -- The act of showing : performativity and ideology -- History and canonical evidence -- Actuality and simulation -- Beyond performance -- Conclusion....”

Performing mixed reality / gan Benford, Steve

Tabl Cynhwysion: “...Hybrid space: between real and virtual, local and global -- Synchronising time: past, present, future, replay -- Assembling interaction: ecologies of tangible and traversable -- The experience of mixed reality: spectating, authoring and orchestrating -- Trajectories through mixed reality performance....”

Acting through song : techniques and exercises for musical-theatre actors / gan Harvard, Paul

Tabl Cynhwysion: “...Foreword / Daniel Evans -- Acknowledgements -- Introduction -- Key acting skills : Self-consciousness is death ; Limitless attention and the imagination ; Interaction -- Preparing to rehearse : The actor's homework ; Creating a performance score ; Listening to the composer -- Rehearsal : The through-line of action ; The psycho-physical actor ; Characterisation ; Integrating the singing voice ; The soliloquy song ; Style: lessons from musical-theatre history -- Performance : The actor and the spectator -- Into the profession : Acting a song in audition ; Manifesto....”
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Nomadic theatre : mobilizing theory and practice on the European stage / gan Nibbelink, Liesbeth Groot

Tabl Cynhwysion: “...-- Spatial dramaturgy -- Points are relays on a trajectory: chapter overview -- Playgrounding. 2 Encounter: meeting multiplicity in Dries Verhoeven's "No Man's Land" : Of horses and wasps -- The rhythms of a smooth stage -- Mind the gap -- Performance installations -- Staging the spectator -- Walking with Abderraghman -- Triads and constellations -- A problem of referentiality -- This is not my voice: a problem of referentiality, part 2 -- Fractured reciprocity -- Building performance -- Expanding spectatorship. 3 Displacement: the situated pathways of Rimini Protokoll : Urban moves -- The city as stage -- Theatre goes global -- The production of space -- Performing locality -- Navigating representation -- Outsourced performance -- Parallax. 4 Cartographies: "Trail Tracking" and map-making as staging strategy : You are here -- Cartography: fifth principle of the rhizome -- The theatre of cartography -- Performing cartography -- Charting the virtual -- Navigational spaces -- Personal velocity -- Material maps -- Thinking subjectivity through space: politics of location -- Witnessed presence -- The cartography of theatre. 5 Diagrams: staging proximity in Ontroerend Goed's "The Smile Off Your Face" : A nomad does not necessarily move -- A wheelchair's thresholds -- Pleats of proximity -- Event/situation -- Into the laboratory -- Thinking through the diagram -- The grid of capital -- Distributions of the sensible -- A spectator in the dark -- The dramaturgy of proximity -- A theatre of folds. 6 Architextures: the rhizomatic gameboards of Signa's "The Ruby Town Oracle" : Drifting/dwelling -- Borderzones -- Narrative architecture and environmental storytelling -- Architectural performances -- Evocative spaces -- Procedural passageways -- Playing at the limits -- The entirety of the map -- Tissue, traces, tracks. 7 Distributed performance: epilogue : Pop-up stores -- Trajectories of the stage -- Folds of spectating -- Lived space and diffractive reading -- Staging connections -- Procedural dramaturgy/when atitude becomes form -- Thinking through practice -- Thresholds of the imagination. ...”

The secret art of the performer : a dictionary of theatre anthropology / gan Barba, Eugenio

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The five continents of theatre : facts and legends about the material culture of the actor / gan Barba, Eugenio, Savarese, Nicola, 1945-

Augmented reality in public spaces : basic techniques for video mapping. gan Maniello, Donato

Tabl Cynhwysion: “...; Calculating the height of a building ; The right video projector ; Positioning the video projector and the spectator's point of view -- Methods for mapping a surface : Comparison of methods ; Trace mapping ; Photographic mapping -- Procedure for implementing a video mapping event : Video mapping and bureaucracy ; Request for authorization of the video projection ; Request for occupation of public property ; Request for authorisation to switch off the public lighting temporarily ; Request the closure of the area....”

Impacting theatre audiences : methods for studying change /

Tabl Cynhwysion: “...AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. ...”
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Taylor & Francis
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Impacting theatre audiences : methods for studying change /

Tabl Cynhwysion: “...AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. ...”
EBSCOhost
Taylor & Francis
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What is scenography? / gan Howard, Pamela, 1939-, Drábek, Pavel, 1974-

Baroque Lorca : an archaist playwright for the new stage / gan Pérez-Simón, Andrés

Watching war on the twenty-first century stage : spectacles of conflict / gan Finburgh, Clare

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