Canlyniadau Chwilio - "Hamlet"

Hamlet : The Complete Original Text with a Modern English Translation /

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Hamlet / gan Shakespeare, William, 1564-1616

Pynciau: “...Hamlet (Legendary character) Drama. 5042...”

Hamlet, Prince of Denmark / gan Shakespeare, William, 1564-1616

Pynciau: “...Shakespeare, William, 1564-1616. Hamlet Adaptacions. 6998...”

Resencrantz and Guildenstern are dead / gan Stoppard, Tom

Pynciau: “...Hamlet (Legendary character). 4980...”

Hamnet / gan O'Farrell, Maggie, 1972-

Pynciau: “...Shakespeare, William, 1564-1616. Hamlet Fiction. 20090...”

Backwards and forwards : a technical manual for reading plays / gan Ball, David (David A.), 1942-

Pynciau: “...Shakespeare, William, 1564-1616. Hamlet. 8408...”
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The Arab Shakespeare trilogy / gan Al-Bassam, Sulayman

Tabl Cynhwysion: “...The Al-Hamlet summit -- Richard III, an Arab tragedy -- The speaker's progress....”
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The Schaubühne Berlin under Thomas Ostermeier : reinventing realism /

Tabl Cynhwysion: “...Hamlet out of joint: Variations on a theme in Thomas Ostermeier's production, 2008-2020 /...”

Shakespeare in the theatre : Yukio Ninagawa / gan Hanratty, Conor

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Tom Stoppard: Plays One gan Stoppard, Tom

Tabl Cynhwysion: “...The real Inspector Hound, After Magritte, Dirty linen, New-found-land, Dirty linen (concluded), Dogg's Hamlet, Cahoot's Macbeth -- v. 2. The dissolution of Dominic Boot, 'M' is for moon among other things, If you're glad I'll be Frank, Albert's bridge, Where are they now?...”

Drama and the politics of generational conflict in Shakespeare's England / gan Gearhart, Stephannie S.

Tabl Cynhwysion: “..."The very latest counsel that ever I shall breathe": 2 Henry IV, Hamlet, and ideological inheritance -- Old fools and serpents' teeth: defining age and the terms of the parent-child relationship in King Lear -- Conclusion: a difficult age....”

Christoph Schlingensief : staging chaos, performing politics and theatrical phantasmagoria / gan Scheer, Anna Teresa

Tabl Cynhwysion: “...Beyond theatre: avant-garde influences, the Schlingensief 'family, ' and German politics in the 1980s -- Schlingensief and German reunification: from independent film-maker to Volksbühne rebel -- Replaying the sixties: Rocky Dutschke '68 and performative activism -- The Berlin republic: postcolonial amnesia and contemporary German politics as 'light comedy' -- Schlingensief's Hamlet: spectres of fascism and a theatrical 'ghosting' -- Art and terror: a church in cyberspace and a utopian social project....”
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Performing the unstageable : success, imagination, failure / gan Quigley, Karen, Dr

Lear : the great image of authority / gan Bloom, Harold

The Complete Works of William Shakespeare. gan Shakespeare, William, 1564-1616

Tabl Cynhwysion: “...Intro -- The Complete Works -- Contents -- THE SONNETS -- ALL'S WELL THAT ENDS WELL -- ANTONY AND CLEOPATRA -- AS YOU LIKE IT -- THE COMEDY OF ERRORS -- THE TRAGEDY OF CORIOLANUS -- CYMBELINE -- THE TRAGEDY OF HAMLET, PRINCE OF DENMARK -- THE FIRST PART OF KING HENRY THE FOURTH -- THE SECOND PART OF KING HENRY THE FOURTH -- THE LIFE OF KING HENRY V -- PROLOGUE. -- THE FIRST PART OF HENRY THE SIXTH -- THE SECOND PART OF KING HENRY THE SIXTH -- THE THIRD PART OF KING HENRY THE SIXTH -- KING HENRY THE EIGHTH -- KING JOHN -- THE TRAGEDY OF JULIUS CAESAR -- THE TRAGEDY OF KING LEAR...”
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The Cambridge companion to theatre history /

Tabl Cynhwysion: “...The visual record: the case of Hamlet Barbara Hodgdon; 17. Museums, archives and collecting Fiona Macintosh; 18. ...”

Performing Shakespeare : Preparation, Rehearsal, Performance. gan Davies, Oliver Ford

Tabl Cynhwysion: “...Irony, Paradox, Ambiguity and AntithesisQuarto and Folio, Punctuation and Spelling; 3 PREPARATION; The Text; Reading the Play; Lists and Structure; Backstory and Omissions; Function in the Play; Research; Preconceptions and Labels; Physical Image; Family Relationships; Class and Money; Character; The Director; Period and Design; Memorising; Voice and Sonnets; 4 REHEARSAL; Language; Directions in the Text; Voice and Movement; Shape; Soliloquy; The Journey; Stanislavsky, Objectives and Subtext; Hamlet's Advice to the Players; Naturalism; Ambiguity, Irony and Inconsistency; Politics and Power...”
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Intercultural acting and performer training /

Tabl Cynhwysion: “...Sasitharan -- Actor training at the Intercultural Theatre Institute of Singapore / Giorgia Ciampi Tsolaki -- From the flower to madness : the ontology of the actor in the work of Suzukitadashi / Glenn Odom -- Dancing Hamlet in a world of frogs : butoh and the actor's inner landscape / Tanya Calamoneri -- Stepping out of the frame : contemporary jingju actor training in Taiwan / Jasmine Yu-Hsing Chen -- Re-considering intercultural actor training in South Africa today : "borrowing on our own terms" / David Peimer -- The actor's process of negotiating difference and particularity in intercultural theatre practice / Sunhee Kim and Jeungsook Yoo -- The role of "presence" in training actors' voices / Tara McAllister-Viel -- Training a performer's voices / Electa Behrens -- Grasping the bird's tail : inspirations and starting points / Christel Weiler -- Embodying imagination : butoh and performer training / Frances Barbe -- Arifin and putu : teater modern acting in new order Indonesia / Kathy Foley -- Any traces of Stanislavsky : theatre, politics and survival in postcolonial and dictatorial Indonesia / Marco Add -- Bali in Brazil / Carmencita Palermo -- Traditional opera in a "modern" society : institutional change in Taiwanese xiqu education / Tai Hsin-Hsin and Josh Stenberg....”

Documenting performance : the context and processes of digital curation and archiving /

Tabl Cynhwysion: “...Paradocumentation and NT Live's 'CumberHamlet' -- Daisy Abbott (Glasgow School of Art, United Kingdom) and -- Claire Read (University of Roehampton, United Kingdom) -- 12. ...”