نتائج البحث - George Young

George Orwell's Animal farm / حسب Hall, Peter, 1930-

Impacting theatre audiences : methods for studying change /

جدول المحتويات: "…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. …"
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Taylor & Francis
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Impacting theatre audiences : methods for studying change /

جدول المحتويات: "…AcknowledgementsCHAPTER ONE by Dani Snyder-Young & Matt OmastaContemporary Spectatorship ResearchCHAPTER TWO by Matt Omasta & Dani Snyder-YoungKey Methodological Concepts in Spectatorship ResearchCHAPTER THREE by Caroline HeimParticipant Observation in Practice and Techniques for Overcoming Researcher Insecurity: A Case Study at the Deutsches TheaterCHAPTER FOUR by Claire SylerPrioritizing Black Experience, or the Inevitability of Educating White Audiences: A Discourse AnalysisCHAPTER FIVE by Johnny SaldañaInterviewing Children about Theatre PerformanceCHAPTER SIX by Kelsey JacobsenHashtag Networks, "Live" Musicals, and the Social Media Spectator: Digital Theatre Audience Research MethodsCHAPTER SEVEN by Christopher CorboDrafting Harlem, Revising Melodrama: Archival Insights into Audience ExpectationCHAPTER EIGHT by Signy LynchThe Gaze Turned Inward: A Reflexive Autoethnographic Approach to Theatre ResearchCHAPTER NINE by Michelle Cowin GibbsThe Stony Silence: Negotiating Empathy and Audience Expectations in Solo Autoethnographic PerformanceCHAPTER TEN by Holly MaplesTouching Past Lives: The Limits of Evaluating Immersive Heritage Performance AudiencesCHAPTER ELEVEN by Celia PearcePlaying Ethnography: Participant Engagement in Role/PlayCHAPTER TWELVE by Martine Kei Green-Rogers & Dani Snyder-YoungPublic Facing Dramaturgy as Audience Research: An interview with Martine Kei Green-RogersCHAPTER THIRTEEN by Lisa Aikman & Jennifer Roberts-SmithTheatre for Relationality: A Case Study in Restorative Pedagogy, Relational Design, and Audience EngagementCHAPTER FOURTEEN by Jennica Nichols, George Belliveau, Susan M. …"
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The Oxford handbook of dance and theater /

جدول المحتويات: "…: mimesis, fantasy and female sexuality in Ann Liv Young's Michael / Krista K. Miranda.…"
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An American in Paris / حسب Minnelli, Vincente, Gershwin, George, 1898-1937

West Side story / حسب Bernstein, Leonard, 1918-1990, Chakiris, George, Moreno, Rita

Connect to Internet Movie Database entry

The Routledge companion to applied performance.

جدول المحتويات: "…Introduction to Volume One / Tim Prentki and Ananda Breed -- Part I Australia and New Zealand -- Introduction to Part I: Considering the ethics of representation in applied theatre / Helen Cahill and Peter O'Connor -- Chapter 1 Identifying and understanding the notion of quality within an applied theatre project designed to playfully engage people living with dementia / Julie Dunn and Michael Balfour -- Chapter 2 Repairing the evil: Staging Puppet Antigone (2017) at Auckland Prison / Rand Hazou -- Chapter 3 Taurima Vibes: Economies of manaakitanga and care in Aotearoa New Zealand / Molly Mullen and Börni Te Rongopai Tukiwaho -- Chapter 4 Small acts at the margins: Making theatre work at cross-cultural intersections / Linden Wilkinson -- Chapter 5 The art of listening in prison: Creating audio drama with incarcerated women / Sarah Woodland -- Part II The Balkans -- Introduction to Part II and III: Memory, identity, and the (ab)use of representation / Kirsten Sadeghi-Yekta and Darko Lukić -- Chapter 6 Performing otherness: the representation of invisible communities in post-conflict and post-communist societies: Croatian example / Darko Lukić -- Chapter 7 The bridge to hope: Applied theatre in post-war Bosnia and Herzegovina / Sead Đulić -- Chapter 8 Theatre against violence, action in classrooms / Ines Å kuflić Horvat, Maja Sviben, and Nina Horvat -- Chapter 9 Interview with Vladimir KruÅ¡ić: Theatre and drama in education / Darko Lukić -- Chapter 10 In search of polyphonic concepts of participatory theatre and art for social change: Almost half a century of engagement / Ljubica Beljanski-Ristić -- Chapter 11 Giving voice to the voiceless: Raising awareness and spurring debate on the Homeland War (1991-1995) in Croatian theatre / Nikolina Židek -- Part III North America -- Chapter 12 Examining the ethics of research-based theatre through Contact! Unload / George Belliveau, Susan Cox, Jennica Nichols, Graham W. …"
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