Documenting performance : the context and processes of digital curation and archiving /
"Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a c...
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London ; New York :
Bloomsbury Methuen Drama,
2017.
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Table des matières:
- Machine generated contents note:
- 1. Documenting Performance: An Introduction
- Toni Sant (University of Hull, United Kingdom) Part I: Documenting Performance in a Digital Curation Context
- 2. Performing Arts and Their Memories
- Daniela Salazar (New University of Lisbon, Portugal)
- 3. Description Models for Documenting Performance
- Alberto PendoÌn (Miguel de Cervantes Municipal Theatre, Spain) and
- Gema Bueno (Charles III University of Madrid, Spain)
- 4. Intellectual Property Matters for Documenting Performance
- Jeanine Rizzo (Fenech & Fenech Advocates, Malta)
- 5. Expanding Documentation, or making the most of the cracks in the wall
- Annet Dekker (Piet Zwart Institute, the Netherlands),
- Gabriella Giannachi (University of Exeter, United Kingdom), and
- Vivian van Saaze (Maastricht University, the Netherlands) Part II: Ways of Documenting
- 6. Remembering Performance Through the Practice of Oral History
- Panayiota Demitriou (University of Bristol, United Kingdom)
- 7. Translating Performance: desire, intention and interpretation in photographic documents
- Helen Newall (Edge Hill University, United Kingdom),
- Amy Skinner (University of Hull, United Kingdom), and
- Allan Taylor (University of East London, United Kingdom)
- 8. Documenting Audience Experience: Social Media as Lively Stratification
- Joanna Bucknall (The University of Portsmouth, United Kingdom) and
- Kirsty Sedgman (United Kingdom)
- 9. Web Archiving and Participation: the future history of performance?
- Vanessa Bartlett (University of New South Wales, Australia)
- 10. Documenting Digital Performance Artworks
- Adam Nash (RMIT University, Australia) and
- Laurene Vaughan (RMIT University, Australia) Part III: Documenting and Archiving
- 11. Paradocumentation and NT Live's 'CumberHamlet'
- Daisy Abbott (Glasgow School of Art, United Kingdom) and
- Claire Read (University of Roehampton, United Kingdom)
- 12. Archiving Shakespeare and Thinking Virtually in a Distracted Globe
- Alvin Eng Hui Lim (National University of Singapore, Singapore)
- 13. From Copper-Plate Inscriptions to Interactive Websites: Documenting Javanese Wayang Theatre
- Miguel Escobar (National University of Singapore, Singapore)
- 14. Documenting Music Performance in the Western Australian New Music Archive
- Cat Hope (Western Australian Academy of Performing Arts, Australia),
- Adam Trainer (Western Australian Academy of Performing Arts, Australia), and Lelia Green (Western Australian Academy of Performing Arts, Australia)
- 15. Participation and Presence: Propositional Frameworks for Engaging Users in the Design of the Circus Oz Living Archive
- Laurene Vaughan (RMIT University, Australia) Part IV: Documenting Bodies in Motion 16. What do we document? Dense video and the epistemology of practice
- Ben Spatz (University of Huddersfield, United Kingdom)
- 17. The Pleasures of Writing about the Pleasures of the Practice: Documenting Psychophysical Performer Training
- Alissa Clarke (De Montfort University, United Kingdom)
- 18. Dance Archival Futures: Embodied Knowledge and the Digital Archive of Dance
- Laura Griffiths (Leeds Beckett University, United Kingdom)
- 19. Documenting Dance: Tools, Frameworks and Digital Transformation
- Sarah Whatley (Coventry University, United Kingdom) List of Contributors
- Notes
- Index.