A new art : photography and impressionism /
"In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued ar...
Saved in:
| Other Authors: | , , , |
|---|---|
| Format: | Book |
| Language: | English German |
| Published: |
Munich :
Prestel,
[2022]
|
| Subjects: |
Table of Contents:
- Foreword
- Rivalry and Emancipation: Photography and the Traditional Fine Arts in the Nineteenth Century / Ulrich Pohlmann
- Countryside, Seaside, City: Painting and Photography en plein air / Dominique de Font-Rǎulx
- Fleetingness: Paris, Modernity, and the Arts / Bernd Stiegler
- Taches: Spots, Blots, and Blurs in Impressionism and Photography / Matthias Krüger
- Color Experiments: The Vienna Camera-Club / Monika Faber
- The Path to the Museum: Early Photographic Collections in Germany / Esther Ruelfs
- Catalog of Exhibited Works / Daniel Zamani
- Majestic Expanses: Sky and Sea
- Center of Modernity: Paris
- Shadow and Light: Forest Scenes
- Everyday Motifs: Countryside and River
- Painterly Photographs: Pictorialism
- The World in Color: Autochromes
- List of Exhibited Works
- Biographies / Miriam Leimer
- Dialogue: Photography and Painting, 1860-1914
- Glossary / Christine Rottmeier Kess
- Selected Bibliography
- Image Credits
- Authors.