A new art : photography and impressionism /

"In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued ar...

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Bibliographic Details
Other Authors: Westheider, Ortrud (Editor), Philipp, Michael, 1962- (Editor), Zamani, Daniel (Editor), Pohlmann, Ulrich
Format: Book
Language:English
German
Published: Munich : Prestel, [2022]
Subjects:

MARC

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245 1 2 |a A new art :  |b photography and impressionism /  |c edited by Ortrud Westheider, Michael Philipp and Daniel Zamani ; exhibition and catalog: Ulrich Pohlmann with Helene von Saldern ; exhibition curator, Wuppertal: Anna Baumberger ; with contributions by Monika Faber [and 8 others]. 
264 1 |a Munich :  |b Prestel,  |c [2022] 
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504 |a Includes bibliographical references (pages 270-276). 
505 0 0 |t Foreword --  |t Rivalry and Emancipation: Photography and the Traditional Fine Arts in the Nineteenth Century /  |r Ulrich Pohlmann --  |t Countryside, Seaside, City: Painting and Photography en plein air /  |r Dominique de Font-Rǎulx --  |t Fleetingness: Paris, Modernity, and the Arts /  |r Bernd Stiegler --  |t Taches: Spots, Blots, and Blurs in Impressionism and Photography /  |r Matthias Krüger --  |t Color Experiments: The Vienna Camera-Club /  |r Monika Faber --  |t The Path to the Museum: Early Photographic Collections in Germany /  |r Esther Ruelfs --  |g Catalog of Exhibited Works /  |r Daniel Zamani --  |t Majestic Expanses: Sky and Sea --  |t Center of Modernity: Paris --  |t Shadow and Light: Forest Scenes --  |t Everyday Motifs: Countryside and River --  |t Painterly Photographs: Pictorialism --  |t The World in Color: Autochromes --  |g List of Exhibited Works --  |g Biographies /  |r Miriam Leimer --  |g Dialogue: Photography and Painting, 1860-1914 --  |g Glossary /  |r Christine Rottmeier Kess --  |g Selected Bibliography --  |g Image Credits --  |g Authors. 
520 |a "In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence. The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900"--  |c Provided by publisher. 
585 |a "A New Art: Photography and Impressionism" : Feburary 12-May 8, 2022, Museum Barberini, Potsdam, Germany. 
585 |a "A New Art: Photography and Impressionism" : October 2, 2022-January 8, 2023, Von der Heydt-Museum, Wuppertal, Germany. 
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700 1 |a Westheider, Ortrud,  |e editor.  |9 2474 
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700 1 |a Zamani, Daniel,  |e editor.  |9 2481 
700 1 |a Pohlmann, Ulrich.  |9 13688 
710 2 |a Museum Barberini (Potsdam, Germany),  |e issuing body,  |e host institution.  |9 2488 
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