Feminist worldmaking and the moving image /
"This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, t...
Kaydedildi:
| Diğer Yazarlar: | , |
|---|---|
| Materyal Türü: | Kitap |
| Dil: | İngilizce |
| Baskı/Yayın Bilgisi: |
Cambridge, Massachusetts :
the MIT Press,
[2022]
|
| Konular: |
MARC
| LEADER | 00000cam a22000005i 4500 | ||
|---|---|---|---|
| 001 | 22351655 | ||
| 005 | 20250109140753.0 | ||
| 008 | 211214t20222022mauac bc 000 0 eng d | ||
| 010 | |a 2021952807 | ||
| 015 | |a GBC2A9333 |2 bnb | ||
| 016 | 7 | |a 020658075 |2 Uk | |
| 020 | |a 9780262544528 |q (paperback) | ||
| 020 | |a 0262544520 |q (paperback) | ||
| 035 | |a (OCoLC)on1287991807 | ||
| 040 | |c AE-ShPAA | ||
| 042 | |a lccopycat | ||
| 082 | 0 | 4 | |a 070.18 |2 23 |
| 097 | 0 | 0 | |a PN1995.9.W6 |b F468 2022 |
| 245 | 0 | 0 | |a Feminist worldmaking and the moving image / |c edited by Erika Balsom, Hila Peleg, and Haus der Kulturen der Welt. |
| 264 | 1 | |a Cambridge, Massachusetts : |b the MIT Press, |c [2022] | |
| 264 | 4 | |c ♭2022 | |
| 300 | |a 512 pages : |b illustrations (some color), portraits ; |c 24 cm | ||
| 336 | |a text |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |2 rdamedia | ||
| 338 | |a volume |2 rdacarrier | ||
| 500 | |a SIBF2023 | ||
| 501 | |a P.B | ||
| 520 | |a "This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it."--Back cover. | ||
| 500 | |a Contributors: Helena Amiradżibi, Madeleine Bernstorff, Teresa Castro, Counter Encounters (Laura Huertas Millán, Onyeka Igwe, Rachael Rakes), Ayanna Dozier, Forough Farrokhzad, Safi Faye, Devika Girish, Elena Gorfinkel, Haneda Sumiko, Shai Heredia, Juliet Jacques, Sarah Keller, Nzingha Kendall, Julia Lesage, Beatrice Loayza, Janaína Oliveira, Lakshmi Padmanabhan, Yasmina Price, Elizabeth Ramírez-Soto, Pooja Rangan, Lis Rhodes, Sara Saljoughi, Rasha Salti, Isabel Seguí, Chick Strand, Monika Talarczyk, Trinh T. Minh-ha, Françoise Vergès, Claudia von Alemann, Mitsuyo Wada-Marciano, Shilyh Warren, Giovanna Zapperi. | ||
| 500 | |a Published in conjunction with an exhibition held at the Haus der Kultiren der Welt, Berlin, June 19 - August, 2022, and an upcoming one at the Museum of Modern Art in Warsaw, Spring 2023. | ||
| 504 | |a Includes bibliographical references. | ||
| 650 | 0 | |a Feminist films |x History and criticism. |9 13538 | |
| 650 | 0 | |a Nonfiction films |x History and criticism. |9 13539 | |
| 650 | 7 | |a SOCIAL SCIENCE / Feminism & Feminist Theory. |2 bisacsh |9 13540 | |
| 650 | 7 | |a Feminist films. |2 fast |0 (OCoLC)fst01715726 |9 13541 | |
| 650 | 7 | |a Nonfiction films. |2 fast |0 (OCoLC)fst01765244 |9 13542 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Balsom, Erika, |e editor. |9 13543 | |
| 700 | 1 | |a Peleg, Hila, |e editor. |9 13544 | |
| 710 | 2 | |a Haus der Kulturen der Welt, |e host institution. |9 13545 | |
| 710 | 2 | |a Muzeum Sztuki Nowoczesnej w Warszawie, |e host institution. |9 13546 | |
| 952 | |0 0 |1 0 |2 lcc |4 0 |6 PN19959 F45 F46 02022 |7 0 |9 8495 |a SPAA |b SPAA |c On Shelves |d 2025-01-28 |l 0 |o PN1995.9.F45 F46 2022 |p 0004335 |r 2025-01-28 08:26:18 |w 2025-01-28 |y BK | ||
| 999 | |c 7281 |d 7281 | ||