Broadway and corporate capitalism : the rise of the professional-managerial class, 1900-1920 /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | كتاب |
| اللغة: | الإنجليزية |
| منشور في: |
New York, NY :
Palgrave Macmillan,
2014.
|
| الطبعة: | 1st ed. |
| سلاسل: | Palgrave studies in theatre and performance history.
|
| الموضوعات: |
جدول المحتويات:
- Introduction: a matter for experts
- The growth of Broadway, the emergence of the PMC
- Brave New York : nowhere to go but up
- The show business
- Who were the PMC?
- Meet the experts
- Where the actors stood : the actors' strike
- The problem of nerves
- Dim shadows : pre-PMC consciousness
- Modern men and modern nerves
- Gillette as Sherlock Holmes, super expert
- Fitch and the psychological moment
- Neurasthenics caught on Kodak
- Muckraking the playing field : emerging PMC class consciousness
- The freshest kids in town
- Fair play : The college widow, Strongheart, and Brown of Harvard
- Sweepings from the muckrakes : The lion and the mouse
- Strikers, gentlemen, and toughs : The boss
- A size thirteen collar : musicals and PMC class consciousness
- The musical : pre-post-mortem
- The providences of God : The Sultan of Sulu
- Musicals grow up for a moment : the princess shows
- Showing a class how to move : the castles
- System and farce : emerging PMC habitus
- Cohan as super model, positive and negative
- F.W. Taylor : a scientific call for PMC
- Losing and making a fortune : Brewster's millions
- Grant Mitchell : PMC poster boy
- Humbugging prelude : Get-Rich-Quick Wallingford
- Mitchell on the rise : it pays to advertise
- PMC apotheosis : a tailor-made man
- Conclusion : business as usual
- Clarence : leading the U.S. safely into the 1920s
- Freud and the PMC
- O'Neill and psychological capital
- Other cures for nerves : a look at the 1920s
- Postscript : the return of the tailor-made man.