Shakespeare as jukebox musical /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | كتاب |
| اللغة: | الإنجليزية |
| منشور في: |
Abingdon, Oxon ; New York, NY :
Routledge,
2019.
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| الموضوعات: |
جدول المحتويات:
- Introduction : Shakespeare as jukebox musical
- Section 1, Historical forebears. Shakespeare as eighteenth-century ballad opera ; Shakespeare as nineteenth-century musical spectacular and burlesque
- Section 2, Reception and structure. Song placement and the carnivalesque : Barrie Kosky's King Lear and the Troubadour Theater Company ; Layered allusions, genre and medium : the Scottish Falsetto Sock Puppet Theatre's Romeo & Juliet
- Section 3, Modes of reception. The Shakespearean jukebox musical as interrogative text : Kenneth Branagh's Love's labour's lost
- Section 4, Engaging with Twelfth night's unstable identities. Play on! and its ghosts ; All shook up and the unannounced adaptation
- Conclusion.