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|a ML2054
|b .S37 2019
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|a Severn, John R.
|9 21545
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|a Shakespeare as jukebox musical /
|c John R Severn.
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|a Abingdon, Oxon ;
|a New York, NY :
|b Routledge,
|c 2019.
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300 |
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|a viii, 221 p. :
|b ill. ;
|c 25 cm.
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|a K_B
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|a Includes bibliographical references and index.
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|a Introduction : Shakespeare as jukebox musical -- Section 1, Historical forebears. Shakespeare as eighteenth-century ballad opera ; Shakespeare as nineteenth-century musical spectacular and burlesque -- Section 2, Reception and structure. Song placement and the carnivalesque : Barrie Kosky's King Lear and the Troubadour Theater Company ; Layered allusions, genre and medium : the Scottish Falsetto Sock Puppet Theatre's Romeo & Juliet -- Section 3, Modes of reception. The Shakespearean jukebox musical as interrogative text : Kenneth Branagh's Love's labour's lost -- Section 4, Engaging with Twelfth night's unstable identities. Play on! and its ghosts ; All shook up and the unannounced adaptation -- Conclusion.
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|a Shakespeare, William,
|d 1564-1616
|x Adaptations
|x History and criticism.
|9 21546
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|a Jukebox musicals
|x History and criticism.
|9 13618
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