Acting : Advanced Techniques for the Actor, Director and Teacher.
Honed by the author's 35 years of teaching, this advanced book offers different warm-up exercises concentrating on the actor's sense of smell, sound, sight, and touch; sensory tools for conveying the climate and environment of the text; tips for suggesting a character's physical condi...
Guardado en:
| Autor principal: | |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Lenguaje: | inglés |
| Publicado: |
New York :
Constable & Robinson,
2012.
|
| Materias: | |
| Acceso en línea: | Full-Text |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | 818869643 | ||
| 003 | AE-ShPAA | ||
| 005 | 20240917093656.0 | ||
| 006 | m o d | ||
| 007 | cr unu|||||||| | ||
| 008 | 121124s2012 nyu o 000 0 eng d | ||
| 020 | |a 9781581159509 |q (electronic bk.) | ||
| 020 | |a 1581159501 |q (electronic bk.) | ||
| 029 | 1 | |a GBVCP |b 1012795853 | |
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d VALIL |d OCLCF |d OCLCQ |d OCLCO |d OCLCQ |d MERUC |d OCLCQ |d SNU |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 050 | 4 | |a PN2061 .S356 | |
| 082 | 0 | 4 | |a 792.028 |
| 100 | 1 | |a Schreiber, Terry. |9 21017 | |
| 245 | 1 | 0 | |a Acting : |b Advanced Techniques for the Actor, Director and Teacher. |
| 260 | |a New York : |b Constable & Robinson, |c 2012. | ||
| 300 | |a 1 online resource (435 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Chapter 14: Road Map. | ||
| 505 | 0 | |a Cover; Title; Copyright; Contents; Acknowledgments; Foreword by Edward Norton; Preface; A Note on Personal Pronouns; Methodology; My Experience; No "One" Technique; An Actor's Toolbox; Mind, Heart, Will; PART I: PROCEDURE; Chapter 1: Relaxation; Tension-The Enemy of the Actor; "To Be Seen" Body Work; "To Be Heard" Vocal Work; Warm-Up Program; Chapter 2: Concentration; The Senses-Five Powerful Tools; Chapter 3: Imagination; Sidebar: Finding Emotional Resolution; Chapter 4: Preparation; Body and Voice; The Actor's Notebook; Memorization; Sidebar: Backward Way to Construct a Sentence; Monologues. | |
| 505 | 8 | |a Class and Rehearsal SpaceA Note for Leaders; PART II: GROUP EXERCISES; Relaxing into the Floor; "Hard" Chairs; Chapter 5: General Sensory Exercises; Height; Floating; Beach/Sunning/Water; Animal Exercises; Sidebar: The Snow Leopard; Meal; Cave; Sidebar: Alone in a Cave; Mixed Sound/Smell; Chapter 6: Personal Sensory Exercises; Baby Exercise; Age Exercise; The Place Exercise (Room/Closet/Chest/Attic/Basement); Face; Shower; Chapter 7: Physical-Condition Exercises; An Actor's Secret; Cold; Sidebar: One Hundred Degrees, and I'm Freezing; Heat; Drunkenness; Drugs; Pain. | |
| 505 | 8 | |a Sidebar: Pain, Shin Splints, and the High School Basketball BenchBlindness; Deafness; Don't Go Alone; Other Impairment; Insanity; Sidebar: Insanity, Anger, and My Hair; Conclusion; PART III: INDIVIDUAL EXERCISES; A Note for Leaders; Chapter 8: Creating A Character-The Spoon River Exercise; Spoon River, Part One-Introduction to the Character; Sidebar: Mrs. Sibley Said Nothing, and Everything; Spoon River, Part Two-Animal Work and "Psychological Center"; Sidebar: Rose Ritz, Fancy Peacock; Chapter 9: Making A Scene: The A.C.T. (Action/Condition/Telephone Call); Activity; Physical Condition. | |
| 505 | 8 | |a Sidebar: Sisterly LovePreparation and Rehearsal; Telephone Call; A.C.T. in Class; Sidebar: Cleaning Up, the Hangover, and the Confession; What We've Learned; Chapter 10: Freeing the Instrument-The Fallout and the Song Exercise; A Note for Leaders; Fallout; Sidebar: The Fallout-A Way to Warm Up; Song Exercise; A Note on Leading the Fallout and Song Exercise; What We've Learned; Chapter 11: Exploring the Subconscious-Emotional Recall; Emotional Recall, Part One; Sidebar: Blowout on the Soccer Field; Emotional Recall, Part Two; Emotional Recall, Part Three; Emotional Recall, Part Four. | |
| 505 | 8 | |a A Note for LeadersWhat We've Learned; Chapter 12: Validating The Self-The Private Moment; Practical Purpose; Before Class-Choosing Private Moments-The Storyboard; What Is a Private Moment?; Parts One and Two; Private Moment-Preparation; Sidebar: Opening Up a Sensual Side; Performing the Private Moment, Parts One and Two; Private Moment, Part Three; Sidebar: The Private Moment, Years Later, On Stage; Sidebar: Tipping Point of a Career; Character Private Moments; Sidebar: A Gut-Wrenching Moment; What We've Learned; PART IV: SCENE STUDY; Chapter 13: Assigning Scenes; Rules for Rehearsal. | |
| 520 | |a Honed by the author's 35 years of teaching, this advanced book offers different warm-up exercises concentrating on the actor's sense of smell, sound, sight, and touch; sensory tools for conveying the climate and environment of the text; tips for suggesting a character's physical conditions; and much more. Individual exercises will help actors to free the voice and body, create a character, find the action and condition of scenes, and explore the subconscious for effective emotional recall. Readers will also find meticulous guidelines for best using rehearsal time and preparing for in-clas. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Acting |x Study and teaching. | |
| 650 | 6 | |a Art dramatique |x Étude et enseignement. |9 567 | |
| 650 | 7 | |a PERFORMING ARTS |x Acting & Auditioning. |2 bisacsh | |
| 650 | 7 | |a Acting |x Study and teaching |2 fast | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc |9 245 | |
| 650 | 7 | |a Drama. |2 hilcc | |
| 700 | 1 | |a Barber, Mary Beth. |9 21018 | |
| 700 | 1 | |a Norton, Edward. |9 21019 | |
| 758 | |i has work: |a Acting (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGvwr9hQyQQFBwTwh8bVvd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Schreiber, Terry. |t Acting : Advanced Techniques for the Actor, Director and Teacher. |d New York : Constable & Robinson, ©2012 |z 9781581154184 |
| 856 | 4 | 0 | |u https://sharjahperforming-my.sharepoint.com/:b:/g/personal/ahmedabdelhalim_spaa_ae/EQev7nlSLe5MhR-Mis6Gj8QB84hiOlJnL4oYBzpEDekpWg?e=rCI3Dk |z Full-Text |
| 942 | |2 lcc |c BK | ||
| 952 | |0 0 |1 0 |2 lcc |4 0 |6 PN2061 S356 |7 0 |9 8055 |a SPAA |b SPAA |c On Shelves |d 2024-09-17 |l 0 |o PN2061 .S356 |r 2024-09-17 09:37:33 |u https://sharjahperforming-my.sharepoint.com/:b:/g/personal/ahmedabdelhalim_spaa_ae/EQev7nlSLe5MhR-Mis6Gj8QB84hiOlJnL4oYBzpEDekpWg?e=WbYe3d |w 2024-09-17 |y BK | ||
| 999 | |c 6706 |d 6706 | ||
| 999 | |d 6706 | ||