Theatre /
Calls for no less than the death of the director and the end to acting theory, arguing that either actors are good or they are non-actors, and that good actors work best without the interference of a director.
Enregistré dans:
Auteur principal: | Mamet, David |
---|---|
Format: | Livre |
Langue: | anglais |
Publié: |
London :
Faber and Faber,
2010.
|
Sujets: |
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