Theatre /

Calls for no less than the death of the director and the end to acting theory, arguing that either actors are good or they are non-actors, and that good actors work best without the interference of a director.

में बचाया:
ग्रंथसूची विवरण
मुख्य लेखक: Mamet, David
स्वरूप: पुस्तक
भाषा:अंग्रेज़ी
प्रकाशित: London : Faber and Faber, 2010.
विषय:

MARC

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245 1 0 |a Theatre /  |c David Mamet. 
260 |a London :  |b Faber and Faber,  |c 2010. 
300 |a x, 157 pages ;  |c 22 cm 
336 |a text  |b txt  |2 rdacontent/swe 
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501 |a P.B 
501 |a P.B 
504 |a Includes bibliographical references. 
520 |a Calls for no less than the death of the director and the end to acting theory, arguing that either actors are good or they are non-actors, and that good actors work best without the interference of a director. 
520 |a The greenroom -- The hunter and the game -- Hunting instincts -- The lamppost and the alley -- The fatal spin -- The problem with "training", or, "Slaves of the ant-god, Throog"--Emotion -- The map and the territory -- Theatrical forms -- Totalitarian tendencies -- Repression -- Politically correct -- Great American plays and great American poetry -- The bathing machine -- Stagecraft -- Impertinence -- The end of adolescence -- Subvention -- Two teachers -- A culture of confession -- Theatrical culture -- Third parties -- On the general uselessness of the rehearsal process -- The fallacy of the director -- Directing for the stage -- Time. 
650 0 |a Theater  |x Philosophy.  |9 5719 
650 7 |a Teater  |x teori, filosofi.  |2 sao  |9 5720 
650 7 |a Theater  |x Philosophy.  |2 fast  |0 (OCoLC)fst01149273  |9 5721 
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