Theatre /
Calls for no less than the death of the director and the end to acting theory, arguing that either actors are good or they are non-actors, and that good actors work best without the interference of a director.
Gespeichert in:
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| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London :
Faber and Faber,
2010.
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| Schlagworte: |
| Zusammenfassung: | Calls for no less than the death of the director and the end to acting theory, arguing that either actors are good or they are non-actors, and that good actors work best without the interference of a director. The greenroom -- The hunter and the game -- Hunting instincts -- The lamppost and the alley -- The fatal spin -- The problem with "training", or, "Slaves of the ant-god, Throog"--Emotion -- The map and the territory -- Theatrical forms -- Totalitarian tendencies -- Repression -- Politically correct -- Great American plays and great American poetry -- The bathing machine -- Stagecraft -- Impertinence -- The end of adolescence -- Subvention -- Two teachers -- A culture of confession -- Theatrical culture -- Third parties -- On the general uselessness of the rehearsal process -- The fallacy of the director -- Directing for the stage -- Time. |
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| Beschreibung: | x, 157 pages ; 22 cm |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 0571255248 9780571255245 |