Musical sense-making : enactment, experience and computation /

Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approac...

Szczegółowa specyfikacja

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Opis bibliograficzny
1. autor: Reybrouck, Mark (Autor)
Format: Elektroniczne E-book
Język:angielski
Wydane: London : Routledge, Taylor & Francis Group, 2021.
Wydanie:First edition.
Seria:SEMPRE studies in the psychology of music.
Hasła przedmiotowe:
Dostęp online:Taylor & Francis
VLeBooks
Spis treści:
  • Chapter 1: IntroductionChapter 2: Musical Sense-Making: Enaction, Experience, and ComputationChapter 3: Sense-Making and the Enactive ApproachChapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential ApproachChapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied ClaimsChapter 6: From Interaction to Sense-MakingChapter 7: Music and the Extended Computational ApproachChapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology