Musical sense-making : enactment, experience and computation /

Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approac...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Reybrouck, Mark (VerfasserIn)
Format: Elektronisch E-Book
Sprache:Englisch
Veröffentlicht: London : Routledge, Taylor & Francis Group, 2021.
Ausgabe:First edition.
Schriftenreihe:SEMPRE studies in the psychology of music.
Schlagworte:
Online-Zugang:Taylor & Francis
VLeBooks
Inhaltsangabe:
  • Chapter 1: IntroductionChapter 2: Musical Sense-Making: Enaction, Experience, and ComputationChapter 3: Sense-Making and the Enactive ApproachChapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential ApproachChapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied ClaimsChapter 6: From Interaction to Sense-MakingChapter 7: Music and the Extended Computational ApproachChapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology