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Musical sense-making : enactment, experience and computation /

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Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approac...

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Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awdur: Reybrouck, Mark (Awdur)
Fformat: Electronig eLyfr
Iaith:Saesneg
Cyhoeddwyd: London : Routledge, Taylor & Francis Group, 2021.
Rhifyn:First edition.
Cyfres:SEMPRE studies in the psychology of music.
Pynciau:
Music > Philosophy and aesthetics.
Music > Psychological aspects.
Musical perception.
Musique > Aspect psychologique.
Musique > Philosophie et esthétique.
Perception de la musique.
MUSIC > General.
Mynediad Ar-lein:Taylor & Francis
VLeBooks
Tabl Cynhwysion:
  • Chapter 1: IntroductionChapter 2: Musical Sense-Making: Enaction, Experience, and ComputationChapter 3: Sense-Making and the Enactive ApproachChapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential ApproachChapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied ClaimsChapter 6: From Interaction to Sense-MakingChapter 7: Music and the Extended Computational ApproachChapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology

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