Musical sense-making : enactment, experience and computation /
Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approac...
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| 主要作者: | |
|---|---|
| 格式: | 电子 电子书 |
| 语言: | 英语 |
| 出版: |
London :
Routledge, Taylor & Francis Group,
2021.
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| 版: | First edition. |
| 丛编: | SEMPRE studies in the psychology of music.
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| 主题: | |
| 在线阅读: | Taylor & Francis VLeBooks |
MARC
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| 100 | 1 | |a Reybrouck, Mark, |e author. |9 3826 | |
| 245 | 1 | 0 | |a Musical sense-making : |b enactment, experience and computation / |c Mark Reybrouck. |
| 250 | |a First edition. | ||
| 264 | 1 | |a London : |b Routledge, Taylor & Francis Group, |c 2021. | |
| 300 | |a 1 online resource (xviii, 218 pages) : |b illustrations | ||
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| 490 | 1 | |a SEMPRE studies in the psychology of music | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Chapter 1: IntroductionChapter 2: Musical Sense-Making: Enaction, Experience, and ComputationChapter 3: Sense-Making and the Enactive ApproachChapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential ApproachChapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied ClaimsChapter 6: From Interaction to Sense-MakingChapter 7: Music and the Extended Computational ApproachChapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology | |
| 520 | |a Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approach that brings together the richness of sensory experience and principles of cognitive economy. Starting from the major distinction between in-time and outside-of-time processing of the sounds, this volume provides a conceptual and operational framework for dealing with sounds in a real-time listening situation, relying heavily on the theoretical groundings of ecology, cybernetics, and systems theory, and stressing the role of epistemic interactions with the sounds. These interactions are considered from different perspectives, bringing together insights from previous theoretical groundings and more recent empirical research. The author's findings are framed within the context of the broader field of enactive and embodied cognition, recent action and perception studies, and the emerging field of neurophenomenology and dynamical systems theory. This volume will particularly appeal to scholars and researchers interested in the intersection between music, philosophy, and/or psychology. | ||
| 545 | 0 | |a Mark Reybrouck is emeritus professor at the University of Leuven (KU Leuven) and guest professor at Ghent University, Belgium. | |
| 588 | 0 | |a Vendor-supplied metadata. | |
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| 650 | 0 | |a Musical perception. |9 3827 | |
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| 650 | 6 | |a Musique |x Philosophie et esthétique. |9 3669 | |
| 650 | 6 | |a Perception de la musique. |9 3828 | |
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| 650 | 7 | |a Musical perception. |2 fast |0 (OCoLC)fst01030788 |9 3827 | |
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| 830 | 0 | |a SEMPRE studies in the psychology of music. |9 3830 | |
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