Robert Lepage / Ex Machina : revolutions in theatrical space /
Robert Lepage and Ex Machina's theatricality is inter-disciplinary and inter-cultural, and, inevitably, characterised by intense hybridity. These complex features – while the source of an internationally celebrated theatrical innovation, and considerable pleasure for audiences – have neverthele...
保存先:
| 第一著者: | |
|---|---|
| フォーマット: | 図書 |
| 言語: | 英語 |
| 出版事項: |
London :
Bloomsbury Methuen Drama,
2021.
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| シリーズ: | Methuen drama engage.
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| 主題: |
MARC
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| 016 | 7 | |a 020012644 |2 Uk | |
| 020 | |a 9781474276085 |q (pbk.) | ||
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| 040 | |a GEQ |b eng |e rda |c GEQ |d SRU | ||
| 050 | |a PN2306.Q4 |b R496 2021 | ||
| 100 | 1 | |a Reynolds, James |c (Senior lecturer in drama), |e author. |9 3508 | |
| 245 | 1 | 0 | |a Robert Lepage / Ex Machina : |b revolutions in theatrical space / |c James Reynolds. |
| 264 | 1 | |a London : |b Bloomsbury Methuen Drama, |c 2021. | |
| 300 | |a ix, 240 pages ; |c 22 cm | ||
| 336 | |a text |2 rdacontent | ||
| 337 | |a unmediated |2 rdamedia | ||
| 338 | |a volume |2 rdacarrier | ||
| 490 | 1 | |a Methuen Drama engage | |
| 504 | |a Includes bibliographical references (pages 225-232) and index. | ||
| 505 | 0 | 0 | |g Introduction. |t Genesis -- |g Part One. |t Foundations and stepping stones (1994-9). |t Lepagean aesthetics ; |t Making concrete narratives ; |t Critical themes -- |g Part Two. |t Choosing all directions (2000-8). |t Upgrades ; |t Québec stories ; |t New ways -- |g Part Three. |t Starting points. |t Critical relationships ; |t Brave new worlds ; |t Beginning. |
| 520 | |a Robert Lepage and Ex Machina's theatricality is inter-disciplinary and inter-cultural, and, inevitably, characterised by intense hybridity. These complex features – while the source of an internationally celebrated theatrical innovation, and considerable pleasure for audiences – have nevertheless also prompted notable criticism. Robert Lepage / Ex Machina: Revolutions in Theatrical Space reads against the grain of criticism, providing readers with a fresh, practice-based and critical perspective by arguing that these innovative aesthetic practices operate simultaneously as positive cultural principles. Drawing directly on case studies of process and a wide range of productions, and building from in-depth interviews, this book intertwines theoretical and practical concerns, weighing them in balance, and, in doing so, produces for the reader a new critical perspective on Robert Lepage and Ex Machina. Through the course of his analysis, James Reynolds illustrates that underpinning the inter-disciplinary eclecticism of Ex Machina's practice is a profound engagement with social, cultural and political difference. Running through the work is a drive to create performances built around a principle of contradiction, through which audiences can apprehend difference in its myriad, infinite forms. Consequently, Robert Lepage / Ex Machina explores this embracing of difference in all its depth and complexity, opening a key way for readers to develop both their practical and theoretical appreciation of this practice. At the same time, the discourse around this vital, forward-looking practice is rebooted, not only by re-thinking its contribution to the vocabulary of drama and theatre, but also through revealing and assessing the critical discourse it initiates through performance. | ||
| 600 | 1 | 0 | |a Lepage, Robert, |d 1957- |x Criticism and interpretation. |9 751 |
| 600 | 1 | 7 | |a Lepage, Robert, |d 1957- |2 fast |0 (OCoLC)fst01798878 |9 752 |
| 610 | 2 | 0 | |a Ex Machina (Theater company) |9 3509 |
| 610 | 2 | 7 | |a Ex Machina (Theater company) |2 fast |0 (OCoLC)fst01925137 |9 3509 |
| 650 | 0 | |a Theater |x Production and direction. |9 172 | |
| 650 | 6 | |a Théâtre |x Production et mise en scène. |9 173 | |
| 650 | 7 | |a Theater |x Production and direction. |2 fast |0 (OCoLC)fst01149278 |9 172 | |
| 830 | 0 | |a Methuen drama engage. |9 1656 | |
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