Robert Lepage / Ex Machina : revolutions in theatrical space /

Robert Lepage and Ex Machina's theatricality is inter-disciplinary and inter-cultural, and, inevitably, characterised by intense hybridity. These complex features – while the source of an internationally celebrated theatrical innovation, and considerable pleasure for audiences – have neverthele...

पूर्ण विवरण

में बचाया:
ग्रंथसूची विवरण
मुख्य लेखक: Reynolds, James (Senior lecturer in drama) (लेखक)
स्वरूप: पुस्तक
भाषा:अंग्रेज़ी
प्रकाशित: London : Bloomsbury Methuen Drama, 2021.
श्रृंखला:Methuen drama engage.
विषय:

MARC

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020 |a 9781474276085  |q (pbk.) 
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100 1 |a Reynolds, James  |c (Senior lecturer in drama),  |e author.  |9 3508 
245 1 0 |a Robert Lepage / Ex Machina :  |b revolutions in theatrical space /  |c James Reynolds. 
264 1 |a London :  |b Bloomsbury Methuen Drama,  |c 2021. 
300 |a ix, 240 pages ;  |c 22 cm 
336 |a text  |2 rdacontent 
337 |a unmediated  |2 rdamedia 
338 |a volume  |2 rdacarrier 
490 1 |a Methuen Drama engage 
504 |a Includes bibliographical references (pages 225-232) and index. 
505 0 0 |g Introduction.  |t Genesis --  |g Part One.  |t Foundations and stepping stones (1994-9).  |t Lepagean aesthetics ;  |t Making concrete narratives ;  |t Critical themes --  |g Part Two.  |t Choosing all directions (2000-8).  |t Upgrades ;  |t Québec stories ;  |t New ways --  |g Part Three.  |t Starting points.  |t Critical relationships ;  |t Brave new worlds ;  |t Beginning. 
520 |a Robert Lepage and Ex Machina's theatricality is inter-disciplinary and inter-cultural, and, inevitably, characterised by intense hybridity. These complex features – while the source of an internationally celebrated theatrical innovation, and considerable pleasure for audiences – have nevertheless also prompted notable criticism. Robert Lepage / Ex Machina: Revolutions in Theatrical Space reads against the grain of criticism, providing readers with a fresh, practice-based and critical perspective by arguing that these innovative aesthetic practices operate simultaneously as positive cultural principles. Drawing directly on case studies of process and a wide range of productions, and building from in-depth interviews, this book intertwines theoretical and practical concerns, weighing them in balance, and, in doing so, produces for the reader a new critical perspective on Robert Lepage and Ex Machina. Through the course of his analysis, James Reynolds illustrates that underpinning the inter-disciplinary eclecticism of Ex Machina's practice is a profound engagement with social, cultural and political difference. Running through the work is a drive to create performances built around a principle of contradiction, through which audiences can apprehend difference in its myriad, infinite forms. Consequently, Robert Lepage / Ex Machina explores this embracing of difference in all its depth and complexity, opening a key way for readers to develop both their practical and theoretical appreciation of this practice. At the same time, the discourse around this vital, forward-looking practice is rebooted, not only by re-thinking its contribution to the vocabulary of drama and theatre, but also through revealing and assessing the critical discourse it initiates through performance. 
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650 7 |a Theater  |x Production and direction.  |2 fast  |0 (OCoLC)fst01149278  |9 172 
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