Authenticity in contemporary theatre and performance : make it real /
"Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theo...
Պահպանված է:
| Հիմնական հեղինակ: | |
|---|---|
| Ձևաչափ: | Գիրք |
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
London, UK ; New York, NY :
Bloomsbury Methuen Drama,
2018.
|
| Շարք: | Methuen drama engage.
|
| Խորագրեր: |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | 1026255138 | ||
| 008 | 180301t20182017enk b 001 0 eng d | ||
| 040 | |a YDX |b eng |c YDX |d OCLCQ |d NBU |d OCLCF |d UKCRE |d OCLCQ |d OCLCO | ||
| 020 | |a 1350086657 | ||
| 020 | |a 9781350086654 | ||
| 043 | |a e------ | ||
| 050 | 1 | 4 | |a PN2582.A87 |b S38 2018 |
| 082 | 0 | 4 | |a 792 |2 23 |
| 100 | 1 | |a Schulze, Daniel, |e author. |9 3397 | |
| 245 | 1 | 0 | |a Authenticity in contemporary theatre and performance : |b make it real / |c Daniel Schulze. |
| 264 | 1 | |a London, UK ; |a New York, NY : |b Bloomsbury Methuen Drama, |c 2018. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a xii, 284 pages ; |c 22 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Methuen Drama engage | |
| 501 | |a P.B | ||
| 501 | |a P.B | ||
| 504 | |a Includes bibliographical references (pages 261-279) and indexes. | ||
| 520 | |a "Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulze argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences; finally, the study scrutinises the popular category of documentary theatre through various examples such as Robin Soan's Talking to Terrorists (2005), David Hare's Stuff Happens (2004), Edmund Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary play Taking Care of Baby (2007). It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday"-- |c Provided by publisher | ||
| 505 | 0 | |a 1. In search of authenticity -- 2. Intimate theatre -- 3. Immersive theatre -- 4. Documentary theatre -- 5. An ending. | |
| 650 | 0 | |a Authenticity (Philosophy) in the theater |z Europe. |9 3398 | |
| 650 | 0 | |a Authenticity (Philosophy) in literature. |9 3399 | |
| 650 | 0 | |a European drama |y 21st century |x History and criticism. |9 3400 | |
| 650 | 6 | |a Authenticité (Philosophie) au théâtre |z Europe. |9 3401 | |
| 650 | 6 | |a Authenticité (Philosophie) dans la littérature. |9 3402 | |
| 650 | 6 | |a Théâtre européen |y 21e siècle |x Histoire et critique. |9 3403 | |
| 650 | 7 | |a Authenticity (Philosophy) in literature. |2 fast |0 (OCoLC)fst00821636 |9 3399 | |
| 650 | 7 | |a Authenticity (Philosophy) in the theater. |2 fast |0 (OCoLC)fst01982893 |9 3404 | |
| 650 | 7 | |a European drama. |2 fast |0 (OCoLC)fst00916697 |9 3405 | |
| 651 | 7 | |a Europe. |2 fast |0 (OCoLC)fst01245064 |9 3406 | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 830 | 0 | |a Methuen drama engage. |9 1656 | |
| 938 | |a Brodart |b BROD |n 121819175 | ||
| 938 | |a YBP Library Services |b YANK |n 15177488 | ||
| 029 | 1 | |a NLGGC |b 431350353 | |
| 942 | |c BK | ||
| 952 | |0 0 |1 0 |2 lcc |4 0 |6 PN2582 A87 S38 02018 |7 0 |8 OSH |9 4971 |a SPAA2 |b SPAA |c On Shelves |d 2023-02-08 |l 1 |o PN2582.A87 S38 2018 |p 0007805 |q 2025-05-02 |r 2025-04-17 08:37:56 |s 2025-04-17 |w 2023-02-08 |y BK | ||
| 999 | |c 3971 |d 3971 | ||