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00000namna2200000 i 4500 |
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Uk |
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20240528083143.0 |
| 020 |
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|a 9781848423541
|q (paperback) :
|c £12.99
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| 040 |
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|c AE-ShPAA
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| 050 |
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4 |
|a PN2091.S8
|b P38 2015
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4 |
|a 792.02/5
|2 23
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|a Pavelka, Michael,
|e author.
|9 17473
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|a So you want to be a theatre designer? /
|c Michael Pavelka ; foreword by Alison Chitty.
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|a So you want to be a theater designer?
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| 264 |
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|a London :
|b Nick Hern Books,
|c [2015]
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|c ©2015
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| 300 |
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|a xxi, 390 pages :
|b illustrations (black and white) ;
|c 22 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
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|a So you want to be series
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| 501 |
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|a P.B
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|a Includes bibliographical references.
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|a Foreword -- Prologue: Theatre design in the modern age -- Part one: What is contemporary theatre design? Theatre design or scenography? ; Set and prop design ; Costume design ; Masks and make-up ; Design for opera: music, voice and image ; Design for dance: space, body and image ; Site-specific theatre ; Original practices: theatre or museum? ; Lighting and video design ; Crossing the line: theatre vs. TV and film -- Part two: What skills do you need and how do you get them? The 'natural,' the 'nurtured' and the 'convert' ; The artist ; The architect ; The stylist ; The technician ; The diplomat -- Part three: Education or training? Training in a drama school ; Learning in an art school ; Other backgrounds ; Working your way 'up the ranks' -- Part four: What's in a design? A designer's reading of the script ; Research and plotting ; The discipline of drawing for designers ; First sketches ; Renderings ; Storyboards ; Technical drawings ; Costume drawings ; Furniture and prop research, reference and other drawings ; Models: actual or virtual? ; A word about theatre space -- Part five: Who do you work with and how does design affect them? Producers ; Artistic directors and directors ; Choreographers ; Other designers ; Production managers ; Costume supervisors ; Stage management ; Scenic and costume technicians ; Box office and front-of-house managers ; Publicity and marketing -- Part six: How do you land your first productions? Theatregoing ; Networking ; Subsidy -- Part seven: A theatre designer's production timeline. Contracts and letters of agreement: how design triggers payment ; How do you need to prepare for your first design meeting? ; Pace, intensity and rhythm ; When do your ideas start to 'go public'? ; What do you need for the 'white-card model' stage? ; Costing your design ; What do you need for your first major production meeting? ; What do you need for the start of rehearsals? ; What is a designer's relationship to the rehearsal process? ; Production week: how do designers approach technical and dress rehearsals? ; First performances and press night ; Touring and commercial projects ; Aftercare and further uses of a design ; Sustainability -- Part eight: Help! Agents, unions and societies. Before the job ; On the job -- Part nine: Your workplace. In the studio or workroom: What building? What equipment? What environment? ; In the theatre: a survival kit -- Part ten: Promoting your future and building a legacy. Web-based and hard-copy folios ; Exhibitions ; Archiving -- Epilogue: Where does theatre design go from here?
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|a Costume.
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|a Set designers.
|9 17474
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|a Theaters
|x Stage-setting and scenery.
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|a So you want to be a--
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|p 0000334
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