Acting the essence : the performer's work on the self /

"Acting the Essence examines the theory, practice and history of the art of the performer from the perspective of its inner nature as work on oneself, within, around and beyond the pedagogy of the actor. Reflecting primarily on the legacy of Jerzy Grotowski, this book is composed of a series of...

وصف كامل

محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Campo, Giuliano, 1970- (مؤلف)
التنسيق: الكتروني كتاب الكتروني
اللغة:الإنجليزية
منشور في: New York ; London : Routledge, 2022.
الموضوعات:

MARC

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245 1 0 |a Acting the essence :  |b the performer's work on the self /  |c Giuliano Campo. 
264 1 |a New York ;  |a London :  |b Routledge,  |c 2022. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction. Acting with bad intentions -- The work on one's self in Stanislavski's lineage -- Grotowski from theatre to ritual arts -- Performances and altered states of consciousness (ASC): An overview -- Trance, possession, and acting -- Pirandello's actor -- Simone Weil, performance, and attention. 
520 |a "Acting the Essence examines the theory, practice and history of the art of the performer from the perspective of its inner nature as work on oneself, within, around and beyond the pedagogy of the actor. Reflecting primarily on the legacy of Jerzy Grotowski, this book is composed of a series of reflections on the Stanislavskian lineage of practitioners and related authors, in an attempt to renovate awareness of the original path traced by the Russian master and to refine certain ambiguities in contemporary training. In a new media age of image and sound, accompanied by a proliferation of new technologies and means to communicate, emphasised by the COVID-19 crisis, a classical question comes to interrogate us again: what is the essence and the principal objective of the work of the performer? Is performing art still necessary? While proposing a theoretical advancement of the discipline and an historical overview of the relevant practices, this book provides tools for a better understanding of the traditional function of the performer's practice as work on the self, for its ecological renaissance through a conscient use of trance, attention and altered states of consciousness. This book offers insight for students in Drama, Theatre, and Performance courses studying acting and performance at university"--  |c Provided by publisher. 
588 |a Description based on print version record and CIP data provided by publisher. 
650 0 |a Actors  |x Psychology.  |9 2679 
650 0 |a Acting  |x Psychological aspects.  |9 2680 
650 0 |a Acting  |x Philosophy.  |9 2681 
650 0 |a Acting  |x History.  |9 2682 
650 0 |a Self.  |9 2683 
650 7 |a Acting.  |2 fast  |0 (OCoLC)fst00796146  |9 81 
650 7 |a Acting  |x Philosophy.  |2 fast  |0 (OCoLC)fst00796155  |9 2681 
650 7 |a Acting  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst00796157  |9 2680 
650 7 |a Actors  |x Psychology.  |2 fast  |0 (OCoLC)fst00796312  |9 2679 
650 7 |a Self.  |2 fast  |0 (OCoLC)fst01111441  |9 2683 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Campo, Giuliano, 1970-  |t Acting the essence  |d Abingdon, Oxon ; New York, NY : Routledge, 2022  |z 9781032001715  |w (DLC) 2021057254 
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