Understanding design in film production : using art, light & locations to tell your story /
Great visual storytelling is possible on a minimal budget, but you have to spend a lot of energy thinking and planning. In Understanding Design in Film Production, author Barbara Freedman Doyle demonstrates how to use production design, cinematography, lighting, and locations to create an effective...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | বৈদ্যুতিক বৈদ্যুতিন গ্রন্থ |
| ভাষা: | ইংরেজি |
| প্রকাশিত: |
London ; New York, NY :
Routledge,
2019.
|
| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | EBSCOhost ProQuest Ebook Central Taylor & Francis VLeBooks VLeBooks |
সূচিপত্রের সারণি:
- Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgments; Photo Credits; Introduction; Note; SECTION 1: Understanding Design in Film; Chapter 1: What Is Your Movie About . . .?; Point of View; Tone; What Does All This Have to Do with You?; Chapter 2: Some Components of Visual Design; Color; Texture; Size; Forced Perspective; Line and Repetition; Another Use of Line; Weight; Chapter 3: The Vision-and Collaboration; SECTION 2: The Collaborators; Chapter 4: Designing, Building, Painting; The Production Designer; The Business Side; The Art Director; The Set Designer
- Art Department CoordinatorConcept Illustrator; Storyboard Artist; Researcher; Construction; The Construction Coordinator; Greens; Lead Scenic; Chapter 5: The Decorator; The Crew; Chapter 6: Locations; Second Unit; Places "Playing" Other Places; Chapter 7: Lighting and Picture; Chapter 8: Costumes and Props; Costumes; Props; Chapter 9: Visual Effects and Animation; Effects; Visual Effects and Animation; Chapter 10: Why All This Talk about Authenticity?; Cheating Reality; The Responsibility of a Production Designer; The Budget; SECTION 3: Your Low Budget Film or TV Project
- Chapter 11: Putting All This TogetherHow It Can Work; Saying Yes; Chapter 12: Planning Your Project: Building It, Finding It, or Both?; Breaking Down a Script; Researching the Subject of the Script; Deciding about Locations; Business Basics and Design; Budgets and the Producer and Screenwriter (and Sometimes the Director); Now Back to Our Rom-Com; More Factors in the Choice of Practical vs. Build; Chapter 13: Shooting Your Film on Distant Location; The Cost; The Logistics; The Good News and the Bad News; The Takeaway for Producers, Directors, and Those Who Suggest Finding the Locations "Away."
- Tax IncentivesChapter 14: Your Process; Action; What Does the Director Want to See?; Stages; Chapter 15: Practical Matters: Location Agreements, Permits, Insurance; The Location Agreement; Permits; Insurance; Ways to Get Help: Film Commissions; Other Ways to Get Help: People; Chapter 16: How to Be Your Own Location Manager; Back to Basics: Research; What Do You Really Need to Tell Your Story?; The Approach; Money; The Tech Scout; During Production; The Walk Through; Finishing Up; Last Words about Dealing with Location Logistics
- Chapter 17: What You Need to Do What You Want: Demystifying the BudgetPeople; Art and Construction; Locations; Set Dressing; A Hypothetical Location Budget; Art Department Budget; Chapter 18: Learning the Craft: Starting Out; Chapter 19: Doing What You Want with What You Have: Student Films; Chapter 20: Visual Storytelling in Making the Sale; Chapter 21: Entering the Profession; Chapter 22: Suggested Viewing; Index