The performance studies reader /
Since its first publication in 2004, The Performance Studies Reader has become the leading anthology of key writings on performance studies. Now in its third edition, it continues to offer an unparalleled selection of work by the foremost scholars in this continually evolving field. These critical a...
Kaydedildi:
| Diğer Yazarlar: | , |
|---|---|
| Materyal Türü: | Kitap |
| Dil: | İngilizce |
| Baskı/Yayın Bilgisi: |
Abingdon, Oxon ; New York :
Routledge : Imprint of the Taylor & Francis Group,
2016.
|
| Edisyon: | Third edition. |
| Konular: |
MARC
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| 020 | |a 1138023353 |q hardback | ||
| 020 | |a 1138023361 |q paperback | ||
| 020 | |a 9781138023352 |q hardback | ||
| 020 | |a 9781138023369 |q paperback | ||
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| 042 | |a pcc | ||
| 050 | 0 | 0 | |a PN2041.A57 |b P49 2016 |
| 082 | 0 | 0 | |a 791 |2 23 |
| 245 | 0 | 4 | |a The performance studies reader / |c edited by Henry Bial and Sara Brady. |
| 250 | |a Third edition. | ||
| 264 | 1 | |a Abingdon, Oxon ; |a New York : |b Routledge : |b Imprint of the Taylor & Francis Group, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a xvi, 420 pages : |b illustrations ; |c 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 501 | |a P.B | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction / |r Henry Bial with Sara Brady -- |t What is performance studies? |t Performance studies: the broad spectrum approach / |r Richard Schechner -- |t The liminal-norm / |r Jon McKenzie -- |t Professing performances: disciplinary genealogies / |r Shannon Jackson -- |t Performance studies / |r Barbara Kirshenblatt-Gimblett -- |t Performance studies: interventions and radical research / |r Dwight Conquergood -- |t Social performance studies: discipline vs. freedom / |r Faye C. Fei and William H. Sun -- |t What is performance? |t Performances: belief in the part one is playing / |r Erving Goffman -- |t Blurred genres: the refiguration of social thought / |r Clifford Geertz -- |t Excerpt from "Restoration of behavior" / |r Richard Schechner -- |t What is performance? / |r Marvin Carlson -- |t Marina Abramović: witnessing shadows / |r Peggy Phelan -- |t Performance: the blunders of Orpheus / |r Joseph Roach -- |t Ritual. |t Liminality and communitas / |r Victor Turner -- |t "Performance" and other analogies / |r Catherine Bell -- |t "The blood that runs through the veins": the creation of identity and a client's experience of Cuban-American Santería Dilogún divination / |r Michael Atwood Mason -- |t Saint Orlan: ritual as violent spectacle and cultural criticism / |r Alyda Faber -- |t Performative commemoratives, the personal, and the public: spontaneous shrines, emergent ritual / |r Jack Santino -- |t Reenactment and relative pain / |r Rebecca Schneider -- |t Play. |t The nature and significance of play as a cultural phenomenon / |r Johan Huizinga -- |t A theory of play and fantasy / |r Gregory Bateson -- |t The ambiguity of play: rhetorics of fate / |r Brian Sutton-Smith -- |t Just doing / |r Allan Kaprow -- |t An evolutionary perspective on play, performance, and ritual / |r Bruce McConachie -- |t The soldier cycle: Harun Farocki's Images of war (at a distance) / |r Sara Brady. |
| 505 | 8 | 0 | |t Performativity. |t How to do things with words: lecture II / |r J.L. Austin -- |t Excerpt from "Signature event context" / |r Jacques Derrida -- |t Performative acts and gender constitution: an essay in phenomenology and feminist theory / |r Judith Butler -- |t Introduction to Performativity and performance / |r Andrew Parker and Eve Kosofsky Sedgwick -- |t Theater and anthropology, theatricality and culture / |r Johannes Fabian -- |t Utopian performatives / |r Jill Dolan -- |t Performing. |t A dialogue about acting / |r Bertolt Brecht -- |t The actor's technique / |r Jerzy Grotowski -- |t A dream of passion / |r Lee Strasberg -- |t Excerpt from The rainbow of desire / |r Augusto Boal -- |t Reconsidering Stanislavsky: feeling, feminism, and the actor / |r Rhonda Blair -- |t Addenda, phenomenology, embodiment: cyborgs and disability performance / |r Petra Kuppers -- |t Performance processes. |t First attempts at a stylized theatre / |r Vsevolod Meyerhold -- |t The oral artist: training and preparation / |r Isidore Okpewho -- |t The deep order called turbulence: the three faces of dramaturgy / |r Eugenio Barba -- |t The archaeology of performance / |r Mary Zimmerman -- |t Excerpt from Postdramatic theatre / |r Hans-Thies Lehmann -- |t Excerpt from The emancipated spectator / |r Jacques Rancière -- |t From page to stage: the making of Sweet tea / |r E. Patrick Johnson -- |t Global and intercultural performances. |t Performing ethnography / |r Victor Turner with Edie Turner -- |t Of mimicry and man / |r Homi K. Bhabha -- |t Translating performance / |r Diana Taylor -- |t Interweaving cultures in performance: different states of being in-between / |r Erika Fischer-Lichte -- |t Hemispheric America in deep time / |r Jill Lane -- |t Orature and cyberture / |r Ngũgĩ Wa Thiong'O -- |t Performance studies 3.0 / |r Henry Bial. |
| 520 | |a Since its first publication in 2004, The Performance Studies Reader has become the leading anthology of key writings on performance studies. Now in its third edition, it continues to offer an unparalleled selection of work by the foremost scholars in this continually evolving field. These critical and theoretical contributions are joined in this edition by 16 new chapters, bringing the collection up to date with current discourse and ideas, and cross referencing exactly with Richard Schechner's Performance Studies: An Introduction. The two volumes combine perfectly to offer a unique and complete teaching resource. The Performance Studies Reader is also widely used by students and scholars around the world as a stand-alone text, offering a stimulating introduction to the crucial debates of performance studies. Each essay now includes new contextual headnotes from the editors, to introduce students to the writer and their impact on the field. Newly added to this edition are contributions from: Augusto Boal, Jill Dolan, Faye C. Fei and William H. Sun, Erika Fischer-Lichte, E. Patrick Johnson, Petra Kuppers, Hans-Thies Lehmann, Bruce McConachie, Jacques Ranciere, Joseph Roach, Rebecca Schneider, and Ngugi wa Thiong'o. The Reader provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts, and cultural studies. | ||
| 650 | 0 | |a Performing arts. | |
| 650 | 0 | |a Theater |x Anthropological aspects. |9 525 | |
| 650 | 6 | |a Arts du spectacle. |9 526 | |
| 650 | 6 | |a Théâtre |x Aspect anthropologique. |9 527 | |
| 650 | 7 | |a Performance |g Künste |9 528 | |
| 650 | 7 | |a Performing arts. | |
| 650 | 7 | |a Performing arts. | |
| 650 | 7 | |a Scenisk konst. |9 529 | |
| 650 | 7 | |a Schauspielkunst |9 269 | |
| 650 | 7 | |a Teaterantropologi. |9 530 | |
| 650 | 7 | |a Theater |x Anthropological aspects. |9 525 | |
| 650 | 7 | |a Theater |x Anthropological aspects. |9 525 | |
| 650 | 1 | 7 | |a Uitvoerende kunsten. |9 531 |
| 655 | 7 | |a Handboeken (vorm) |9 532 | |
| 700 | 1 | |a Bial, Henry, |d 1970- |e editor. |9 533 | |
| 700 | 1 | |a Brady, Sara, |e editor. |9 534 | |
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