Different every night : freeing the actor /
"A top-ranking director sets out his rehearsal techniques in this invaluable handbook for actors and directors. Different Every Night is the culmination of a lifetime of work in the theatre, the most complete rehearsal methodology in print since Stanislavsky. It offers a vital masterclass for a...
Gorde:
| Egile nagusia: | |
|---|---|
| Formatua: | Baliabide elektronikoa eBook |
| Hizkuntza: | ingelesa |
| Argitaratua: |
London :
Nick Hern Books,
2014.
|
| Gaiak: | |
| Sarrera elektronikoa: | Excerpts Image EBSCOhost MyiLibrary OverDrive ProQuest Ebook Central |
MARC
| LEADER | 00000cam a2200000Ii 4500 | ||
|---|---|---|---|
| 003 | AE-ShPAA | ||
| 008 | 140830s2014 enk ob 000 0 eng d | ||
| 020 | |a 1780010338 |q electronic book | ||
| 020 | |a 9781780010335 |q electronic book | ||
| 020 | |z 1854599674 |q print | ||
| 020 | |z 9781854599674 |q print | ||
| 040 | |c AE-ShPAA | ||
| 040 | |a EBLCP |b eng |e rda |e pn |c EBLCP |d N |d OCLCF |d YDXCP |d IDEBK |d TEFOD |d OCLCQ |d OCLCO |d OCLCA |d MERUC |d OCLCQ |d OCLCA |d OCLCQ |d OCLCO |d U3W |d OCLCQ |d OCLCO |d YDX |d OCLCO |d EQF |d OCLCQ |d OCLCA |d Z@L |d YDXIT |d OCLCO | ||
| 050 | 4 | |a PN2071.R45 |b A44 2014 | |
| 082 | 0 | 4 | |a 792.028 |2 23 |
| 100 | 1 | |a Alfreds, Mike |e author. |9 458 | |
| 245 | 1 | 0 | |a Different every night : |b freeing the actor / |c Mike Alfreds. |
| 264 | 1 | |a London : |b Nick Hern Books, |c 2014. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a "First published in Great Britain in 2007. This ebook edition first published 2014."--verso. | ||
| 501 | |a P.B | ||
| 504 | |a Includes bibliographical references (pages 359-362). | ||
| 505 | 0 | |a Cover; Title page; Contents; DEDICATION; ACKNOWLEDGEMENTS; EPIGRAPH; FOREWORD by Pam Ferris; A PRACTICAL GUIDE; HEALTH AND SAFETY WARNINGS; 1 INTRODUCTIONS; CURRICULUM VITAE; THE PRIMACY OF THE ACTOR; PERMANENT TRAINING; 2 CONCEPTS; PROCESS V. RESULTS; WANT! DO! FEEL!; Given Circumstances; Feel: Emotion; The Hierarchy of Actions and Objectives; Obstacles; Beats; Do: Actions; Counter-Objectives; Super-Objectives; Through-Lines; Scene Objectives; Want: Objectives; 3 PREPARATION; THE PURPOSE OF PREPARATION; PREPARING THE TEXT; A Pyramid of Titles; Actions; Units; Sections; Titling the Acts. | |
| 505 | 8 | |a BRINGING THE STRANDS TOGETHERPRODUCTION; PERFORMANCE; 5 UNCLOGGING THE WORK; Clearing the Decks for Action; Rigour; Directors' Fears; Actors' Fears; Actors and Directors; Bad Behaviour; 6 CODA: SUMMING UP; RECAPITULATION; GLOSSARY; FURTHER READING; ABOUT THE AUTHOR; COPYRIGHT INFORMATION. | |
| 505 | 8 | |a Deconstructing the TextPREPARING THE REHEARSALS; CASTING; 4 THE WORK: REHEARSAL, PRODUCTION, PERFORMANCE; REHEARSAL: SOME BASIC PRINCIPLES; STRAND ONE: THE TEXT; Logic Text; Stage Four: Points of Concentration; Stage Three: Feeding-In; Stage Two: Text -- No Text -- Text; Stage One: Actioning; STRAND TWO: CHARACTER; The Starting Point; The Actor and the Role; Techniques Towards Characterisation; Character Development; The Character Lists; STRAND THREE: THE WORLD OF THE PLAY; Practice: A Handful of Dust; Marriage; Self-Blocking; Starting Points; Discovering New Worlds. | |
| 520 | |a "A top-ranking director sets out his rehearsal techniques in this invaluable handbook for actors and directors. Different Every Night is the culmination of a lifetime of work in the theatre, the most complete rehearsal methodology in print since Stanislavsky. It offers a vital masterclass for actors and directors, full of sound practical advice and guidance, and is packed with techniques for bringing the text to life and keeping it alive - both in rehearsal and performance. ''Most of what I am as an actress I owe to Mike Alfreds. He gave me the language and the tools I needed for my craft."--Publisher's description. | ||
| 588 | 1 | |a Description based on resource, viewed September 30, 2020. | |
| 600 | 1 | 0 | |a Chekhov, Anton Pavlovich, |d 1860-1904 |x Dramatic production. |9 459 |
| 600 | 1 | 7 | |a Chekhov, Anton Pavlovich, |d 1860-1904. |9 460 |
| 650 | 0 | |a Acting. |9 81 | |
| 650 | 0 | |a Theater rehearsals. |9 242 | |
| 650 | 0 | |a Theater |x Production and direction |v Case studies. |9 461 | |
| 650 | 6 | |a Art dramatique. |9 86 | |
| 650 | 6 | |a Répétitions (Théâtre) |9 243 | |
| 650 | 7 | |a acting. |9 81 | |
| 650 | 7 | |a Acting. |9 81 | |
| 650 | 7 | |a Darstellendes Spiel |9 462 | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |9 463 | |
| 650 | 7 | |a Theater rehearsals. |9 242 | |
| 650 | 7 | |a Theater |x Production and direction. |9 172 | |
| 650 | 7 | |a Theater. | |
| 650 | 7 | |a Theaterspiel |9 131 | |
| 655 | 4 | |a Electronic books. | |
| 655 | 7 | |a Case studies. |9 464 | |
| 776 | 0 | 8 | |i Print version: |a Alfreds, Mike. |t Different Every Night : Freeing the Actor. |d New York : Nick Hern Books, ©2014 |z 9781854599674 |
| 856 | 4 | |3 Excerpts |u https://samples.overdrive.com/different-every-night?.epub-sample.overdrive.com | |
| 856 | 4 | |3 Image |u http://images.contentreserve.com/ImageType-100/1486-1/{CEE5D9C5-F77A-4F8C-BAE5-05E733DED201}Img100.jpg | |
| 856 | 4 | 0 | |3 EBSCOhost |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=689979 |
| 856 | 4 | 0 | |3 MyiLibrary |u http://www.myilibrary.com?id=857196 |
| 856 | 4 | 0 | |3 OverDrive |u https://www.overdrive.com/search?q=CEE5D9C5-F77A-4F8C-BAE5-05E733DED201 |
| 856 | 4 | 0 | |3 ProQuest Ebook Central |u https://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=1171286 |
| 942 | |2 lcc |c BK | ||
| 952 | |0 0 |1 0 |2 lcc |4 0 |6 PN2071 R45 A44 02014 |7 0 |8 OSH |9 4388 |a SPAA2 |b SPAA |c On Shelves |d 2022-08-25 |l 1 |m 10 |o PN2071.R45 A44 2014 |p 0007251 |r 2025-03-10 00:00:00 |s 2022-09-08 |w 2022-08-25 |y BK | ||
| 991 | |a 0007251 | ||
| 999 | |c 3423 |d 3423 | ||