The Routledge companion to applied performance. Volume one, Mainland Europe, North and Latin America, Southern Africa, and Australia and New Zealand /

Shranjeno v:
Bibliografske podrobnosti
Drugi avtorji: Breed, Ananda (Editor), Prentki, Tim (Editor)
Format: eKnjiga
Jezik:angleščina
Izdano: Abingdon, Oxon ; New York, NY : Routledge, 2021.
Serija:Routledge theatre and performance companions.
Teme:
Online dostop:EBSCOhost
Kazalo:
  • Introduction to Volume One / Tim Prentki and Ananda Breed
  • Part I Australia and New Zealand
  • Introduction to Part I: Considering the ethics of representation in applied theatre / Helen Cahill and Peter O'Connor
  • Chapter 1 Identifying and understanding the notion of quality within an applied theatre project designed to playfully engage people living with dementia / Julie Dunn and Michael Balfour
  • Chapter 2 Repairing the evil: Staging Puppet Antigone (2017) at Auckland Prison / Rand Hazou
  • Chapter 3 Taurima Vibes: Economies of manaakitanga and care in Aotearoa New Zealand / Molly Mullen and Börni Te Rongopai Tukiwaho
  • Chapter 4 Small acts at the margins: Making theatre work at cross-cultural intersections / Linden Wilkinson
  • Chapter 5 The art of listening in prison: Creating audio drama with incarcerated women / Sarah Woodland
  • Part II The Balkans
  • Introduction to Part II and III: Memory, identity, and the (ab)use of representation / Kirsten Sadeghi-Yekta and Darko Lukić
  • Chapter 6 Performing otherness: the representation of invisible communities in post-conflict and post-communist societies: Croatian example / Darko Lukić
  • Chapter 7 The bridge to hope: Applied theatre in post-war Bosnia and Herzegovina / Sead Đulić
  • Chapter 8 Theatre against violence, action in classrooms / Ines Å kuflić Horvat, Maja Sviben, and Nina Horvat
  • Chapter 9 Interview with Vladimir KruÅ¡ić: Theatre and drama in education / Darko Lukić
  • Chapter 10 In search of polyphonic concepts of participatory theatre and art for social change: Almost half a century of engagement / Ljubica Beljanski-Ristić
  • Chapter 11 Giving voice to the voiceless: Raising awareness and spurring debate on the Homeland War (1991-1995) in Croatian theatre / Nikolina Židek
  • Part III North America
  • Chapter 12 Examining the ethics of research-based theatre through Contact! Unload / George Belliveau, Susan Cox, Jennica Nichols, Graham W. Lea and Christopher Cook
  • Chapter 13 We are here: Glyphing a re-creation story through waterways, bloodlines constellations / Jill Carter
  • Chapter 14 Applied performance practices of therapeutic clowns: A curated conversation with Helen Donnelly / Julia Gray, Jenny Setchell, and Helen Donnelly
  • Chapter 15 Playback Theater conductor as ritual guide: The artful and sensitive job of extracting personal stories / Hannah Fox
  • Chapter 16 Theatre to address social justice issues with gatekeepers in Canada / Lauren Jerke and Warwick Dobson
  • Chapter 17 Tensions of engagement: Oscillating between distance and implication / Yasmine Kandil
  • Chapter 18 Questioning social justice: A dialogue on performance, activism and being in-between / Asif Majid and Elena Velasco
  • Chapter 19 Timely homecomings / Carrie MacLeod
  • Chapter 20 The arrivals legacy process: Reviving Ancestral stories of recovery and return / Diane Roberts
  • Chapter 21 Applying Hamilton / Hana Worthen
  • Part IV Latin America
  • Introduction to Part IV: Applied performance in Latin America / Paloma Carpio and Rodrigo Benza
  • Chapter 22 The body, women, and performance art in Latin America / Josefina Alcázar
  • Chapter 23 Dance as a tool for the construction of peace and identity / Ana Carolina Ávila
  • Chapter 24 We play as we mean to resist: Theatre games as political participation / Matthew Elliott
  • Chapter 25 Communal living culture: From the many to the few, from the few to the many / Iván Nogales and Paloma Carpio
  • Chapter 26 Latent conflict orlLatency in conflict: The liminal space between art actions and the Chilean civic-military dictatorship / Andrés Grumann Sölter and Francisco Gonzáles Castro
  • Chapter 27 The community and its gaze: Argentine community theater / Edith Scher
  • Chapter 28 Three community experiences and a resignation
  • Rafael Murillo Selva
  • Part V Southern Africa
  • Introduction to Part V: Applied performance in Southern Africa / Alexandra Sutherland
  • Chapter 29 Romio ndi Julieti (Romeo and Juliet): Chichewa language production of a serious drama / Amy Bonsall
  • Chapter 30 Rituals (2010) as a counter narrative of healing and reconciliation in Zimbabwe / Kelvin Chikonzo and Ruth Makumbirofa
  • Chapter 31 Dear Mr Government / Jessica Lejowa, Bongile Lecoge-Zulu and Cherae Halley
  • Chapter 32 Applied performance as a space to address issues affecting girls and young women in Zimbabwe: A case study of Rachel 19 / Cletus Moyo and Nkululeko Sibanda
  • Chapter 33 Applied arts in business contexts: Selling out to the oppressor or doing transformational work?
  • Petro Janse van Vuuren
  • Part VI Western Europe
  • Introduction to Part VI: Care for the Open: intercultural challenges and transcultural potential of applied performances in Western Europe / Julius Heinicke
  • Chapter 34 Realistic art and the creation of artistic truth / Rolf Bossart
  • Chapter 35 Artistic creation and participation in Portugal and Brazil: The urgencies of today / Hugo Cruz
  • Chapter 3: Core of Nordic applied theatre: Challenges in a subarctic area / Riike Gürgens Gjaerum
  • Chapter 37 Youth transformation in search of freedom / Maria Kwiatek
  • Chapter 38 Legami in spazi aperti (Bonds in Open Spaces) / Giulia Innocenti Malini
  • Chapter 39 Exploring dramaturgy in participatory refugee theatre as a dialogical art practice: Dialogical tensions in a temporary relational playground / Sofie de Smet, Lucia De Haene, Cécile Rousseau, and Christel Stalpaert
  • Chapter 40 The right artistic solution is just the beginning / Lene Thiesen.