Baroque Lorca : an archaist playwright for the new stage /

"Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporar...

Fuld beskrivelse

Saved in:
Bibliografiske detaljer
Hovedforfatter: Pérez-Simón, Andrés (Author)
Format: Bog
Sprog:engelsk
Udgivet: New York, NY : Routledge, 2020.
Fag:

MARC

LEADER 00000namna22000008i 4500
008 191217s2020 nyu 000 0 eng
020 |a 9780367820091  |a 9781000766257  |q (hardback) 
020 |a 9781000766417  |q (adobe pdf) 
020 |a 9781000766578  |q (mobi) 
020 |a 9781003011408  |q (epub) 
020 |q (ebook) 
040 |c AE-ShPAA 
040 |a AE-ShPAA  |b eng  |e rda  |c AE-ShPAA 
042 |a pcc 
050 |a PQ6613.A763  |b Z8149 2020 
082 |a 862/.62  |2 23 
100 1 |a Pérez-Simón, Andrés  |e author.  |9 19762 
245 1 0 |a Baroque Lorca :  |b an archaist playwright for the new stage /  |c Andr?es P?erez-Sim?on. 
263 |a 2002 
264 1 |a New York, NY :  |b Routledge,  |c 2020. 
300 |a 158 pages ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
501 |a P.B 
505 0 |a Introduction -- The Question of Allegory -- Of Humans and Puppets -- Facing the Audience -- Revolution in the Playhouse -- Writing for the Stage -- Epilogue. 
520 |a "Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Calderón, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca's different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly's Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristóbal) and the two 'human' farces The Shoemaker's Prodigious Wife and The Love of Don Perlimplín and Belisa in the Garden; the central piece in his project of 'impossible' theater (The Public); his most explicitly political play, one that takes the violence to the spectators' seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of 'rural drama' (Blood Wedding, Yerma and The House of Bernarda Alba)"--   |c Provided by publisher. 
600 1 0 |a Garc?ia Lorca, Federico,  |d 1898-1936  |x Criticism and interpretation.  |9 19763 
650 0 |a Baroque literature  |x Influence  |9 19764 
776 0 8 |i Online version:  |a P?erez-Sim?on, Andr?es.  |t Baroque Lorca  |d New York, NY : Routledge, 2020  |z 9781003011408  |w (DLC) 2019055672 
910 |a AE-Shpaa205 
911 |a 9781000766257 
942 |c BK 
952 |0 0  |1 0  |2 lcc  |4 0  |6 PQ6613 A763 Z8149 02020  |7 0  |8 OSH  |9 2796  |a SPAA2  |b SPAA2  |c On Shelves  |d 2022-02-02  |l 0  |o PQ6613.A763 Z8149 2020  |p 0002812  |r 2025-03-10 00:00:00  |w 2022-02-02  |y BK 
999 |c 1769  |d 1769