Theory for theatre studies : memory /
"Starting with a premise that memory holds a privileged place in contemporary experience, Theory for Theatre Studies: Memory explores the intersections between contemporary theatre and performance, the interdisciplinary field of memory studies, and current preoccupations with the politics of me...
Saved in:
Main Author: | |
---|---|
Format: | Book |
Language: | English |
Published: |
London ; New York :
Methuen Drama,
2020.
|
Series: | Theory for theatre studies
|
Subjects: |
MARC
LEADER | 00000namna22000008i 4500 | ||
---|---|---|---|
005 | 20240528083314.0 | ||
008 | 200601s2020 enk b 001 0 eng | ||
010 | |a 2020020660 | ||
020 | |a 9781474246675 |q (paperback) | ||
040 | |c AE-ShPAA | ||
042 | |a pcc | ||
050 | |a PN2049 |b .G56 2020 | ||
082 | 0 | 4 | |a 792.01 |2 23 |
100 | 1 | |a Gluhovic, Milija, |d 1971- |e author. |9 18843 | |
245 | 1 | 0 | |a Theory for theatre studies : |b memory / |c Milija Gluhovic. |
246 | 3 | |a Memory | |
264 | 1 | |a London ; |a New York : |b Methuen Drama, |c 2020. | |
300 | |a pages cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
490 | 0 | |a Theory for theatre studies | |
501 | |a P.B | ||
504 | |a Includes bibliographical references and index. | ||
520 | |a "Starting with a premise that memory holds a privileged place in contemporary experience, Theory for Theatre Studies: Memory explores the intersections between contemporary theatre and performance, the interdisciplinary field of memory studies, and current preoccupations with the politics of memory across the globe. After offering a fresh critical snapshot of the major theoretical foundations for the study of memory today, the book presents vivid theatrical examples from across the globe and compellingly illustrates the centrality of memory for the theatre as well as the vital role of theatre in making political claims and interventions and transmitting individual and collective memories. Works considered include Tadeusz Kantor's Wielopole, Wielopole, Lola Arias' Minefield, Katie Mitchell's The Forbidden Zone, Brokentalkers's The Blue Boy, and AndreÌ AmaÌlio's Liberation. Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Memory provides a balance of essential background information and original thinking, and is grounded in case studies to illuminate and equip readers. Volumes follow a consistent three-part structure: an overview of how the term has been understood within the discipline; current trends illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including illustrative material, questions and exercises"-- | ||
650 | 0 | |a Memory in literature. |9 18844 | |
650 | 0 | |a Theater |x Philosophy. | |
910 | |a 1964 | ||
942 | |c BK | ||
952 | |0 0 |1 0 |2 lcc |4 0 |6 PN2049 G56 02020 |7 0 |8 OSH |9 2459 |a SPAA2 |b SPAA |c On Shelves |d 2022-02-02 |l 1 |o PN2049 .G56 2020 |p 0002602 |r 2025-03-10 00:00:00 |s 2022-09-15 |w 2022-02-02 |y BK | ||
999 | |c 1440 |d 1440 |