Theatre blogging : the emergence of a critical culture /
"Megan Vaughan contextualises the key debates and writings of more than forty bloggers with current research, and brings past and present practitioners into conversation with one another. The work of prominent and influential early adopters such as Encore Theatre Magazine and Chris Goode in Lon...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Veröffentlicht: |
New York :
Metheun Drama,
2019.
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| Schlagworte: |
MARC
| LEADER | 00000namna22000008i 4500 | ||
|---|---|---|---|
| 005 | 20240528083243.0 | ||
| 020 | |a 9781350068810 |q (paperback) | ||
| 040 | |c AE-ShPAA | ||
| 050 | |a PN1707 |b V38 2019 | ||
| 082 | |a 808.2/ | ||
| 100 | 1 | |a Vaughan, Megan, |e author. |9 18452 | |
| 245 | 1 | 0 | |a Theatre blogging : |b the emergence of a critical culture / |c Megan Vaughan. |
| 246 | 3 | |a Theater blogging | |
| 264 | 1 | |a New York : |b Metheun Drama, |c 2019. | |
| 300 | |a pages cm | ||
| 336 | |a text |b txt | ||
| 337 | |a unmediated |b n | ||
| 338 | |a volume |b nc | ||
| 501 | |a P.B | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a History and practice. Introduction -- Theatre blogging since 2003: a history -- Theatre blogging in practice: a WhatsApp dialogue -- Theatre blogging under threat -- Selected posts. A note on the texts -- Theatremaking and authorship -- Anger and dissent -- Reviews and reviewing -- Representation and visilibity -- On My name Is Rachel Corrie -- On Three kingdoms. | |
| 520 | |a "Megan Vaughan contextualises the key debates and writings of more than forty bloggers with current research, and brings past and present practitioners into conversation with one another. The work of prominent and influential early adopters such as Encore Theatre Magazine and Chris Goode in London; George Hunka and Isaac Butler in New York; Jill Dolan at Princeton University and Alison Croggon in Melbourne is featured and considered alongside those who followed them. Vaughan presents arguments that have impacted on both arts journalism and the theatre industry. The book also includes: activist bloggers writing about fringe working conditions and diverse casting,explorations of new dramaturgical practices that have been developed and piloted by bloggers,a rigorous assessment of the institutional changes - in theatre, in academia, and for newspapers - which have been attributed to bloggers since their emergence. Vaughan concludes by posing two key questions: to what extent have theatre bloggers established a new critical culture? Has the potential of the form been realised?"-- | ||
| 650 | 0 | |a Dramatic criticism. | |
| 650 | 0 | |a Theater and social media. |9 18221 | |
| 650 | 0 | |a Theater |x Blogs. |9 18453 | |
| 910 | |a 1491 | ||
| 942 | |c BK | ||
| 952 | |0 0 |1 0 |2 lcc |4 0 |6 PN1707 V38 02019 |7 0 |8 OSH |9 1698 |a SPAA2 |b SPAA |c On Shelves |d 2022-02-02 |l 0 |o PN1707 V38 2019 |p 0001778 |r 2025-03-10 00:00:00 |w 2022-02-02 |y BK | ||
| 999 | |c 1041 |d 1041 | ||