An actor prepares. Reprint. Constantin Stanislavski.

By:

Stanislavski

Material type: Text

TextSeries: Bloomsbury revelationsPublication details: London : Bloomsbury Academic 2013.Description: 288 pagesContent type:

text

Media type:

unmediated

Carrier type:

volume

ISBN:

1780938438
9781780938431

DDC classification:

790.2

LOC classification:

PN2062 S73 2013

Summary: This book is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. Now available in the 'Bloomsbury Revelations' series to mark the 150th anniversary of Stanislavski's birth, this is an essential read for actors, directors and anyone interested in the art of drama.

List(s) this item appears in: New Arrivals

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Books	SPAA Library - 1st Floor General Collection	PN2062 S73 2013 (Browse shelf(Opens below))	Available		0007158

This book is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. Now available in the 'Bloomsbury Revelations' series to mark the 150th anniversary of Stanislavski's birth, this is an essential read for actors, directors and anyone interested in the art of drama.

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